V. S. Naipaul Books

A cultural history describing how folklore studies and the music industry helped to create a musical color line in the South, associating certain genres with particular racial and ethnic identities.

This is a further volume in the ongoing reissue of the backlist of V.S. Naipaul, who was awarded the Nobel Prize for Literature in 2001.

A magnet to the poets, philosophers, teachers, troubadours and misfits who people the town of Port of Spain, Miguel Street is a place where tales of glory and debauchery vie with declarations of love and anger, where neighbourhood dramas are scrutinized and wisdom doled out to one and all.

Owning a small portion of the Trinidad earth and a respectable house of his own is the dream that sustains Mohun Biswas through a life of frustration and despair after he marries into the domineering Tulsi family

The history of Trinidad begins with a delusion: the belief that somewhere nearby on the South American mainland lay El Dorado, the mythical kingdom of gold. In this extraordinary and often gripping book, V. S. Naipaul–himself a native of Trinidad–shows how that delusion drew a small island into the vortex of world events, making it the object of Spanish and English colonial designs and a mecca for treasure-seekers, slave-traders, and revolutionaries. Amid massacres and poisonings, plunder and multinational intrigue, two themes emerge: the grinding down of the Aborigines during the long rivalries of the El Dorado quest and, two hundred years later, the man-made horror of slavery. An accumulation of casual, awful detail takes us as close as we can get to day-to-day life in the slave colony, where, in spite of various titles of nobility, only an opportunistic, near-lawless community exists, always fearful of slave suicide or poison, of African sorcery and revolt. Naipaul tells this labyrinthine story with assurance, withering irony, and lively sympathy. The result is historical writing at its highest level.

In this account of his journeys through Asia, the believers are the Muslims Naipaul met on these jouneys. He shows young people battling to regain the original purity of their faith, and offers an insight into modern Islam and the comforting simplifications of religious fanaticism.

A gripping masterpiece, hailed as one of the twentieth century's finest novels.

Mohun Biswas has spent his 46 years of life striving for independence. Shuttled from one residence to another after the drowning of his father, he yearns for a place he can call home. He marries into the Tulsi family, on whom he becomes dependent, but rebels and takes on a succession of occupations in a struggle to weaken their hold over him.

This is a book about one of the more important and unsettling issues of our time. But it is not a book of opinion. It is - in the Naipaul way - a very rich and human book, full of people and stories. Islam is an Arab religion, and it makes imperial Arabizing demands on its converts. In this way it is more than a private faith; and it can become a neurosis. What has this Arab Islam done to the histories of Indonesia, Iran, Pakistan and Malaysia? How do the converted peoples view their past - and their future?