David Remnick Book order

The Pulitzer Prize-winning journalist and editor of The New Yorker writes on some of the essential musicians of our time.

"Presents the full text of the Select Committee to Investigate the January 6th Attack on the United States Capitol's report, which addresses the origins of the insurrection, how it was organized and funded and the role of Donald Trump and other high-ranking officials"--

"A collection of the New Yorker's groundbreaking reporting from the front lines of climate change-including writing from Bill McKibben, Elizabeth Kolbert, Ian Frazier, Kathryn Schulz, and more"-- Provided by publisher

Když v noci roku 1964 vstupoval do ringu, aby bojoval proti Sonnymu Listonovi, byl Muhammad Ali (tehdy ještě Cassius Clay) považován za podivína, který při boxování až příliš tancuje a mluví. O šest kol později byl Ali nejen novým šampionem v těžké váze, zároveň byl i „novým typem černocha“, který brzy změní rasovou politiku Ameriky, její pop-kulturu a představy o hrdinství. I přes své kontroverzní chování a názory je Muhammad Ali stále považován za jednoho z nejlepších boxerů v historii. Vzestupy a pády jednoho z největších sportovců světa líčí David Remnick, nositel Pulitzerovy ceny za román Lenin’s Tomb (Leninova hrobka), s nesmírným osobním zaujetím. Dokáže se vcítit jak do něj, tak do jeho soupeřů i vlezlých novinářů. S lehkostí nám předkládá plastický obraz sportovce, ale i doby, ve které žil. Jeho kontroverzní život, temperament a neustálý neklid, který ho popoháněl dál.

David Remnick, Chefredakteur des New Yorker, beleuchtet in seinem Buch Bruce Springsteen als Symbol der amerikanischen Rockmusik. Er erzählt nicht nur die Geschichte einer Legende, sondern reflektiert auch die verlorene Generation der Väter und die Bedeutung von Familie und Gemeinschaft. Ein eindringlicher Blick auf Amerika.

The New Yorker is, of course, a bastion of superb essays, influential investigative journalism, and insightful arts criticism. But for eighty years it’s also been a hoot. Now an uproarious sampling of its funny writings can be found in this collection, by turns satirical and witty, misanthropic and menacing. From the 1920s onward—but with a special focus on the latest generation—here are the humorists who have set the pace and stirred the pot, pulled the leg and pinched the behind of America. The comic lineup includes Christopher Buckley, Ian Frazier, Veronica Geng, Garrison Keillor, Steve Martin, Susan Orlean, Simon Rich, David Sedaris, Calvin Trillin, and many others. If laughter is the best medicine, Disquiet, Please! is truly a wonder drug.

For more than eighty years, The New Yorker has been home to some of the toughest, wisest, funniest, and most moving sportswriting around. Featuring brilliant reportage and analysis, profound profiles of pros, and tributes to the amateur in all of us, The Only Game in Town is a classic collection from a magazine with a deep bench.Including such authors as Roger Angell and John Updike, both of them synonymous with New Yorker sportswriting, The Only Game in Town also features greats like John McPhee and Don DeLillo. Hall of Famer Ring Lardner is here, bemoaning the lowering of standards for baseball achievement—in 1930. A. J. Liebling inimitably portrays the 1955 Rocky Marciano–Archie Moore bout as “Ahab and Nemesis . . . man against history,” and John Cheever pens a story about a boy’s troubled relationship with his father and “The National Pastime.”From Tiger Woods to bullfighter Sidney Franklin, from the Chinese Olympics to the U.S. Open, the greatest plays and players, past and present, are all covered in The Only Game in Town . At The New Yorker , it’s not whether you win or lose—it’s how you write about the game.

Through extensive on-the-record interviews with friends and teachers, mentors and disparagers, family members and Obama himself, David Remnick demonstrates how a rootless, unaccomplished, and confused young man created himself first as a community organizer in Chicago, then as a Harvard Law School graduate, and finally as President of the United States. "By looking at Obama's political rise through the prism of our racial history, Remnick gives us the conflicting agendas of black politicians: the dilemmas of ... heroes of the civil rights movement who are forced to reassess old loyalties and understand the priorties of a new generation of African-American leaders. The Bridge revisits the American drama of race, from slavery to civil rights, and makes clear how Obama's quest is not just his own but is emblematic of a nation where destiny is defined by individuals keen to imagine a future that is different from the reality of their current lives." -- from publisher description.

David Remnick is a writer with a rare gift for making readers understand the hearts and minds of our public figures. Whether it’s the decline and fall of Mike Tyson, Al Gore’s struggle to move forward after his loss in the 2000 election, or Vladimir Putin dealing with Gorbachev’s legacy, Remnick brings his subjects to life with extraordinary clarity and depth. In Reporting, he gives us his best writing from the past fifteen years, ranging from American politics and culture to post-Soviet Russia to the Middle East conflict; from Tony Blair grappling with Iraq, to Philip Roth making sense of America’s past, to the rise of Hamas in Palestine. Both intimate and deeply informed by history, Reporting is an exciting and panoramic portrait of our times.