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Ludwig Tieck

    May 31, 1773 – April 28, 1853

    Johann Ludwig Tieck was a German poet and critic, deeply embedded in the Romantic movement. His significance lies less in unique originality and more in his remarkable ability to adapt to the evolving ideas of his time. Later in his career, Tieck became recognized as a supportive friend and advisor to his peers, and as a widely-read critic with broad sympathies. His influence extended to the theatre, and his literary contributions inspired notable figures in music.

    Ludwig Tieck
    Shakespeare's Dramatische Werke, Volumes 11-12
    Braga: Vollständige Sammlung Klassischer Und Volkthümlicher Deutscher Gedichte Aus Dem 18. Und 19. Jahrhundert; Volume 4
    Tales By Musæus, Tieck, Richter: Musæus, J. K. A. Dumb Love. Libussa. Melechsala. Tieck, J. L. The Fair-haired Eckbert. The Trusty Eckart. The Runenbe
    The Rebellion in the Cevennes
    Great Stories from the German Romantics: Ludwig Tieck and Jean Paul Richter
    Tales From the "Phantasus," etc. of Ludwig Tieck
    • The collection features the works of Ludwig Tieck, a significant figure in classical literature, highlighting his contributions to storytelling and imagination. Alpha Editions has meticulously reformatted and redesigned the text for improved readability, ensuring that these timeless tales remain accessible for both contemporary and future audiences. This effort emphasizes the importance of preserving literary heritage in a modern format.

      Tales From the "Phantasus," etc. of Ludwig Tieck
    • This outstanding compilation presents stories by two of the writers who helped launch the early nineteenth-century German Romanticism movement: Ludwig Tieck and Jean Paul Richter. Translated by the great British historian Thomas Carlyle, it features seven highly influential tales that range in mood from fantasy and fairy tale lightness to witty satire. Shemlzie's Journey to Fletz and Life of Quintus Fixlien, a story and a novella by Richter, the least translated of the major German Romantics, are of particular note.Ludwig Tieck (1773–1859) is best known for his fantastic stories and short novels, which appeal more to the emotions than the intellect. He translated the works of Shakespeare and Cervantes into German, served as a literary advisor to Dresden's Court Theater, and ranked second only to Goethe as Germany's leading literary authority.Jean Paul Richter (1763–1825) bridged the shift in literature from the formal ideals of Weimar Classicism to the intuitive transcendentalism of early Romanticism. His works range in tone from sentimental humor to bitter satire and span a variety of genres, from fiction to treatises on education and aesthetics.Ludwig Tieck:The Fair-Haired EckbertThe Trusty EckartThe RunenbergThe ElvesThe GobletJean Paul Richter:Army-Chaplain Schmelzle's Journey to FlätzLife of Quintus Fixlein

      Great Stories from the German Romantics: Ludwig Tieck and Jean Paul Richter
    • The Rebellion in the Cevennes

      Volume II

      • 100 pages
      • 4 hours of reading

      Set against the backdrop of the Cevennes region, this work delves into the themes of conflict and resistance during a time of social upheaval. Ludwig Tieck explores the struggles of individuals caught in the turmoil of rebellion, highlighting the emotional and moral dilemmas faced by characters as they navigate their loyalties and beliefs. The narrative intertwines personal stories with historical events, offering a rich portrayal of the human spirit amid adversity.

      The Rebellion in the Cevennes
    • This collection includes some of the most beloved stories from the folklore of Northern Europe, including 'The Magic Ring', 'The True Bride', and 'The Three Purses'. These tales are sure to enchant readers of all ages with their timeless themes of love, heroism, and magic.

      Popular Tales and Romances of the Northern Nations.; Volume II
    • This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      Shakespeare's Dramatische Werke, Volumes 1-2