Dave Eggers is an author whose works often delve into contemporary societal issues and the human condition. His writing is characterized by sharp insight and a distinctive prose style that draws readers into profound reflections on the world. Through his literary output and his founding of the independent publishing house McSweeney's, he champions new voices and highlights crucial social concerns. Eggers' approach blends artistry with activism and education, creating works that are both literarily significant and socially relevant.
Free dog Johannes' job is to observe everything that happens in his urban park and report back to the park's three bison elders, but changes are afoot, including more humans, a new building, a boatload of goats, and a shocking revelation that changes his view of the world.
McSweeney's Issue 4 is a box containing 14 booklets. The booklets feature fiction and nonfiction, from Denis Johnson, Haruki Murakami, Sheila Heti, George Saunders, Jonathan Lethem, Rachel Cohen, Lawrence Weschler, Rick Moody, Lydia Davis, and many others. The first of many experiments in book and magazine packaging, McSweeney's Issue 4 marks a departure from the simpler paperback mold of the first three issues. For this issue, authors chose the art and design of their booklet. So, for example, Denis Johnson chose to use his son Matt's doodle for the cover of his three-act play "Hellhound On My Trail." George Saunders gave us a photo he took years ago, in Russia, for the cover of his "Four Institutional Monologues." And we took all of these booklets, and fit them in a box with a wood-footed bird adorned on the top. (For those asking Why?, there is also a booklet devoted to answering that question, written by editor Dave Eggers.) This rare issue, virtually out of print since it was first published, is now lovingly remade with a sturdier, more archive-worthy box and the same wondrous collection of prose.
This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.
Surviving Justice presents oral histories of thirteen people from all walks of life, who, through a combination of all-too-common factors-overzealous prosecutors, inept defense lawyers, coercive interrogation tactics, eyewitness misidentification- found themselves imprisoned for crimes that they did not commit. The stories these exonerated men and women tell are spellbinding, heartbreaking, and ultimately inspiring. These narrators include: Paul Terry, who spent twenty-seven years wrongfully imprisoned, and emerged psychologically devastated and barely able to communicate. Beverly Monroe, an organic chemist who was coerced into falsely confessing to the murder of her lover. Free after seven years, she faces the daunting task of rebuilding her life from the ground up. Joseph Amrine, who was sentenced to death for murder. Seventeen years later, when DNA evidence exonerated him, Amrine emerged from prison with nothing but the fourteen dollars in his inmate account.
NEWBERY MEDAL WINNER • #1 NEW YORK TIMES BESTSELLER • An enthralling novel for all ages by award-winning author Dave Eggers, told from the perspective of one uniquely endearing dog— featuring beautiful color artwork with illustrations by Caldecott honoree Shawn Harris. “Johannes is a highly engaging narrator whose exuberance and good nature run like a bright thread through the novel’s pages.” —The New York Times Johannes, a free dog, lives in an urban park by the sea. His job is to be the Eyes—to see everything that happens within the park and report back to the park’s elders, three ancient Bison. His friends—a seagull, a raccoon, a squirrel, and a pelican—work with him as the Assistant Eyes, observing the humans and other animals who share the park and making sure the Equilibrium is in balance. But changes are afoot. More humans, including Trouble Travelers, arrive in the park. A new building, containing mysterious and hypnotic rectangles, goes up. And then there are the goats—an actual boatload of goats—who appear, along with a shocking revelation that changes Johannes’s view of the world. A story about friendship, beauty, liberation, and running very, very fast, The Eyes & the Impossible will make readers of all ages see the world around them in a wholly new way.
Somewhere in the not-so-distant future the residents of Ennet House, a Boston halfway house for recovering addicts, and students at the nearby Enfield Tennis Academy are ensnared in the search for the master copy of INFINITE JEST, a movie said to be so dangerously entertaining its viewers become entranced and expire in a state of catatonic bliss . . . 'Wallace's exuberance and intellectual impishness are a delight, and he has deep things to say about the hollowness of contemporary American pleasure . . . sentences and whole pages are marvels of cosmic concentration . . . Wallace is a superb comedian of culture' James Wood, GUARDIAN
Ausstellung im Irish Museum of Modern Art, Dublin 28.02. - 03.06.2007 Die Ausstellung gibt mit 23 großformatigen Fotografien einen Überblick über Thomas Demands aktuelle Arbeiten. Außerdem werden ein Filmprojekt und eine speziell für das Museum erarbeitete Architekturinstallation gezeigt. Das zentrales Thema sind Treppen, Leitern und Lifte. Der Titel verweist auch auf den so genannten Treppenwitz, der einem erst auf der Treppe einfällt – wenn es zu spät ist. In einem ironischen Bezug zum Titel steht auch eine neue Arbeit mit dem Titel Landing, die die Scherben zerbrochener Qing- Vasen auf einem Treppenabsatz zeigt, verursacht durch einen Besucher des Fitzwilliam Museum Cambridge, der über seine Schnürsenkel gestolpert war.
You may have heard of ships. You may have also heard of the sea and the night. But did you realize there's nothing more beautiful than a ship and its lights on the sea at night? In warm and witty prose, this picture book's narrator asks the reader to consider the splendor of glowing lights cast by ships on a shimmering waterway. Meet a trawler, a steamship, a RoRo, an exploratory vessel and more across richly illustrated pages, alive with the glowy, otherworldly nighttime scenes of boats as seen from a child's perspective.
Oisâin Mahoney, a 70-year-old American Army veteran, embarks on a journey with his young grand-nieces and grand-nephews towards the mysterious Museum of Rain in California's Central Coast. As they walk into the sunset, the story unfolds as a poignant exploration of family bonds, the nature of memory, and the legacies we create. Eggers crafts an elegiac narrative that reflects on the significance of what we leave behind, blending nostalgia with the uncertainty of the destination.
It all started when John "Minnie" Moore built a mine in Idaho and sold it to Englishman Henry Miller. Then Henry married a local lass named Annie and built her a mansion. After Henry died and Annie was hoodwinked losing all but the mansion she and her son took to raising pigs, as some are wont to do. But the town wanted those pigs out. Who could have guessed that Annie would remove the whole mansion instead rolling it away slowly on logs while she and her son were still living in it?