Raffael Books

Unlock the meaning of your dreams! Our dreams can be wild, beautiful, and sometimes just bizarre, but what do they mean? First published in the 19th century, but now updated and revised for modern readers, Raphael's The Dream Book is your guide to untangling the meaning of every midnight reverie. The Dream Book includes two ways to make sense of your dreams. First, guided by your intuition, you’ll learn to create a unique cipher that will guide you to the meaning of your dream. The second part of the book features a dictionary of symbols—from camels to kisses, kittens to coffee (don’t worry, your dream latte portends great happiness)—and their meanings. Whether they’re beautiful or baffling, sacred or scary, The Dream Book is a fun, lighthearted guide to deciphering the meanings behind your dreams.

This book is an enquiry into the concept of the 'self', transcending the barriers of 'non-self' and realizing the non-dual Consciousness within and without. This concept is the central theme of Advaita Vedanta. The Drg-drsya-viveka is a short treatise of forty-six Sanskrit verses which analyses the illusory perceptions of names and forms in the states of dreams and waking as well. The commentator gives a scientific explanation of the meaning of Self and Non Self , helping the reader to discriminate and separate the observer (drk) from the observed objects (drsya).

Five centuries ago a stunningly beautiful young man with flowing blond locks sat for a portrait by Raphael. In the artist’s dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael’s portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book tells the story of the portrait’s creation and of its unexpected trajectory through history.Focusing on viewers’ responses to Bindo Altoviti, the book describes the transformation of the picture from a family treasure into a supposed self-portrait of the artist; its public display in Munich, where first it was celebrated, then dismissed by skeptics claiming that it was neither of nor by Raphael; and its acquisition by canny English dealers who lured the panel out of Nazi Germany. Purchased as a Raphael by American collector Samuel H. Kress, the painting was donated in 1943 to the newly opened National Gallery of Art, where Bindo’s image has beguiled visitors ever since.