Charles Olson stands as a pivotal figure bridging early American modernists and the New American poets, influencing subsequent postmodern movements. He described his calling not as a writer, but as an "archeologist of morning," signaling a deep interest in origins and creation. Olson advocated for a poetic meter based on breath and natural rhythm, breaking free from the constraints of syntax and logic. His complex works often delve into social, historical, and political themes, while his shorter verses reveal a sincere, accessible, and emotionally resonant voice.
This counter-cultural collection of American verse fits in Robert Lowell's famous definition of the raw in American poetry. Contributors include: Olson; Duncan; Creeley; Guest; Ashbery; Ginsberg; Kerouac; Levertov; O'Hara; Snyder; and Schuyler.
Charles Olson's influence on the development of British and American poetry through his writing and teaching is immense. His work encompasses myth, history, scholarship and politics. This book includes extracts from a range of Olson's poetry and prose, including letters, interviews and the full text of the key essay 'Projective Verse'.
"...a balanced and superbly rendered picture of one of America's greatest poets."---Peter Anastas --
This landmark collection of Charles Olson's work, edited by Robert Creeley, features poems from "The Distances" and "Maximus Poems," alongside the "Mayan Letters," "Appolonius of Tyana," and his influential manifesto on "Projective Verse." Olson is celebrated as a key figure bridging modern poetic movements.
The New American Poetry Revised - Edited and With a New Preface by Donald Allen and George F. Butterick
This anthology includes many of the major poets to have emerged and gained pre-eminence since World War II, and whose writing reflects not only the significant changes in this nation’s postwar history, and the coming to grips with a nuclear age, but also an entirely new way of looking at and structuring reality. United by their “postmodernist” concerns with spontaneity, “instantism,” formal and syntactic flexibility, and the revelation of both the creator and the process through the writing itself, these 38 poets represent very diverse strains of an essential American individualism. Included are many of the poets whose work first gained widespread national attention with the 1960 publication of The New American Charles Olson, Allen Ginsberg, Paul Blackburn, LeRoi Jones (Amiri Baraka), Denise Levertov, Robert Duncan, and others. Among the poets included here for the first time are Anne Waldman, Diane di Prima, Ed Sanders, Jerome Rothenberg, and James Koller. In addition to a new preface by Allen and Butterick, the book provides autobiographical notes of all the poets and listings of their major works.
Výber z poézie Charlesa Olsona vo výbere Roberta Creeleyho, ktorý zbierku opatril aj úvodným slovom. Preložil Miroslav Holub.
