William Tanner Vollmann is an American novelist, journalist, short story writer, and essayist. His works often delve into profound themes, characterized by a style known for its depth and meticulous observation. Vollmann's writing consistently explores the complexities of human nature and societal structures.
This collection showcases William T. Vollmann's extensive visual artwork spanning four decades, accompanied by his insightful commentary on the creative process and the connections to his writing. It features diverse works, including photographs of Afghan Mujahideen, Inuit sketches, and various prints capturing marginalized subjects worldwide. Essays within the book delve into Vollmann's perspectives on the purpose of photography and the themes he explores, such as beauty, suffering, and compassion, making it a valuable resource for fans and scholars alike.
"The second volume of William T. Vollmann's epic book about the factors and human actions that have led to global warming begins in the coal fields of West Virginia and Eastern Kentucky, where "America's best friend" is not merely a fuel, but a "heritage." Over the course of four years Vollmann finds hollowed out towns with coal-polluted streams and acidified drinking water; makes covert visits to mountaintop removal mines; and offers documented accounts of unpaid fines for federal health and safety violations and of miners who died because their bosses cut corners to make more money. To write about natural gas, Vollmann journeys to Greeley, Colorado, where he interviews anti-fracking activists, a city planner, and a homeowner with serious health issues from fracking. Turning to oil production, he speaks with, among others, the former CEO of Conoco and a vice president of the Bank of Oklahoma in charge of energy loans, and conducts furtive roadside interviews of guest workers performing oil-related contract labor in the United Arab Emirates. As with its predecessor, No Immediate Danger, this volume seeks to understand and listen, not to lay blame-except in a few corporate and political cases where outrage is clearly due. Vollmann is a carbon burner just like the rest of us; he describes and quantifies his own power use, then looks around him, trying to explain to the future why it was that we went against scientific consensus, continually increasing the demand for electric power and insisting that we had no good alternative." Provided by publisher
As contemporary cosmologists explore the universe's vastness and the nearly insignificant role mankind plays in it, the repercussions from Copernicus's radical views continue to resound. The author provides an enlightening and readable explication of Copernicus's book and epoch, and the momentous clash between the two.
For generations of migrant workers, Imperial County--the California desert region where the U.S. borders Mexico--has held the promise of paradise and the reality of hell.
From the National Book Award-winning author of Europe Central – a dazzling fictional account of the epic fighting retreat of the Nez Perce IndiansIn this fifth installment in his acclaimed Seven Dreams series of novels examining the collisions between Native Americans and European colonizers, William T. Vollmann tells the story of the epic fighting retreat of the Nez Perce Indians, with flashbacks to the Civil War. Defrauded and intimidated at every turn, the Nez Perces finally went on the warpath in 1877, subjecting the U.S. Army to its greatest defeat since Little Big Horn the previous year, as they fled from northeast Oregon across Montana to the Canadian border. Vollmann’s main character is not the legendary Chief Joseph but his pursuer, General Oliver Otis Howard, the brave, shy, tormented, devoutly Christian Civil War veteran. In this novel, we see him as commander, father, son, husband, friend, and killer. Teeming with many vivid characters on both sides of the conflict, and written in an original style in which the printed page works as a stage with multiple layers of foreground and background, The Dying Grass is another mesmerizing achievement from one of the most ambitious writers of our time.
"In the jungles of South America, on the ice fields of Alaska, the plains of the Midwest, and the streets of San Francisco, a fearsome battle rages. The insects are vying for world domination; the inventors of electricity stand in evil opposition. Bug , a young man, rebels against his own kind and joins forces with the insects. Wayne, a thug, allies himself with the malevolent forces of electricity and vows to assassinate the preying mantis who tends bar in Oregon. A brusque La Pasionara with the sprightly name of Millie leads an intrepid band of revolutionaries"--Publisher's description
From a writer who has won comparison with Thomas Pynchon and William S. Burroughs comes thirteen unnerving and often breathtaking stories populated by punks and angels, skinheads and religious assassins, streetwalkers and fetishists--people who live outside the law and and the clear light of the every day. Set in landscapes as diverse as ancient Babylon, India, and the seamy underbelly of San Francisco, these daring and innovative tales are laced with Vollman's fertile imagination. The Rainbow Stories ushers us into a world that bears an awful yet hypnotic resemblance to that of our deepest nightmares, confirming Vollmann's reputation as a dark visionary of contemporary fiction.
The time is the tenth century A.D. The newcomers are a proud and bloody-minded people whose kings once changed themselves into wolves. The Norse have advanced as implacably as a glacier from Iceland to the wastes of Greenland and from there to the place they call Vinland the Good. The natives are a bronze-skinned race who have not yet discovered iron and still see themselves as part of nature. As William T. Vollmann tells the converging stories of these two peoples and of the Norsewomen Freydis and Gudrid, whose venomous rivalry brings frost into paradise he creates a tour-de-force of speculative history, a vivid amalgam of Icelandic saga, Inuit creation myth, and contemporary travel writing that yields a new an utterly original vision of our continent and its past.--back cover
Since the publication of his first book in 1987, William T. Vollmann has established himself as one of the most fascinating and unconventional literary figures on the scene today. Named one of the twenty best writers under forty by the New Yorker in 1999, Vollmann received the best reviews of his career for The Royal Family, a searing fictional trip through a San Francisco underworld populated by prostitutes, drug addicts, and urban spiritual seekers. Part biblical allegory and part skewed postmodern crime novel, The Royal Family is a vivid and unforgettable work of fiction by one of today's most daring writers.
