This is an examination of Michaelangelo's art in relation to the developing Italian Renaissance, a period of unique interest and achievement. To understand Michaelangelo, therefore, it is important to see him in the context of Renaissance society before placing the dominating figure of Michaelangelo at its artistic heart.
EDGAR DEGAS (1834-1917) became a professional painter through a change in his family's fortunes. He grew up the privileged son of wealthy and cultured parents and despite his interest in art was destined for a career in law until the failure of the family bank. More than any of his famous contemporaries, while possibly excluding Manet, Degas was a traditionalist painter. He was dismissive of the Impressionist technique as a method, although he participated in most of the group's early exhibitions. As a result, he is more closely allied in popular understanding with Impressionism than he himself ever wished to be. Best known for his paintings of ballet Dancers, Degas was an urbane and savagely witty man, choosing his subjects from the cultured society life of Paris in which he was a well known figure.
This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.