Four Complete Novels
- 651 pages
- 23 hours of reading
This 1982 edition is published by Avenel Books, distributed by Crown Publishers, Inc., by arrangement with Alfred A. Knopf, Inc.
James M. Cain was an American journalist and novelist, typically associated with the hard-boiled school of American crime fiction and considered a progenitor of "roman noir." Cain’s work delves into the darker aspects of human nature, focusing on passion, violence, and the corrupting influence of desire, all rendered in a famously lean and direct prose style. His narratives often explore moral ambiguity and the inescapable grip of fate, creating taut, suspenseful stories that continue to captivate readers with their raw intensity and psychological acuity.






This 1982 edition is published by Avenel Books, distributed by Crown Publishers, Inc., by arrangement with Alfred A. Knopf, Inc.
Tautly narrated and excruciatingly suspenseful, Double Indemnity gives us an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless love that devastates everything it touches. First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.Walter Huff was an insurance salesman with an unfailing instinct for clients who might be in trouble, and his instinct led him to Phyllis Nirdlinger. Phyllis wanted to buy an accident policy on her husband. Then she wanted her husband to have an accident. Walter wanted Phyllis. To get her, he would arrange the perfect murder and betray everything he had ever lived for.
The torrid story of Frank Chambers, the amoral drifter, Cora, the sullen and brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a classic of its kind, and established Cain as a major novelist with a spare and vital prose style and a bleak vision of America.
John Sharp had just flopped in Rigoletto, down in Mexico, when he first saw Juana. Somehow, the beautiful Mexican-Indian prostitute offered him a way back, a chance to rebuild his career in New York and Hollywood. But then, like the snake in the garden, Winston Hawes, the prodigiously accomplished conductor, came back in to Sharp's life and an eternal, and lethal, triangle was formed.
Due assassini, la testa della loro vittima e un ruscello ghiacciato... Lucky, il vagabondo, architetta l'alibi perfetto... Il tigre in cucina, il bambino nella ghiacciaia... Questi sono gli elementi di tre racconti caratterizzati da una prosa snella, trame concise e una voce unica che distinguono anche i romanzi classici di James M. Cain, come "Double Indemnity" e "The Postman Always Rings Twice". Le storie brevi, schizzi e dialoghi, e una novella in questo libro sono pieni di persone intrappolate nella morsa a sangue freddo della passione e del destino. Ogni pagina è scritta nello stile incisivo, veloce e causticamente ironico che ha reso James M. Cain un maestro della narrativa hard-boiled.
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Dans quel guêpier s'était-il fourré ? Pourtant, dès le début il avait vu clair dans son jeu. Tout de suite, il s'était dit : " Tu sais ce qu'elle veut... Pour toi, c'est terminé. Ne revois jamais cette fille ! " Mais il l'avait revue. Comme par hasard, le vieux était mort. Et il était sûr que c'était elle qui l'avait tué. Maintenant c'était à lui de tuer le mari. Il s'était porté volontaire et il ne pouvait plus reculer. Le tout était de s'y prendre intelligemment...
Detektivní román Pošťák vždycky zvoní dvakrát vyšel poprvé v roce 1934 v Bostonu a vzápětí byl zakázán pro přemíru násilí a erotiky. Přesto se jeho autor stal uznávaným prozaikem s osobitou vizí, popisující odvrácenou stranu Ameriky a románem Pošťák zvoní vždycky dvakrát se inspiroval Camus při psaní svého románu Cizinec.