Christian Salmon Book order

This page-turning biographical novel follows the footsteps of a forgotten legend of the Russian Revolution, from Odessa to Moscow, Istanbul, and beyond. Yakov Blumkin claimed to have had nine lives. Born to a poor Jewish family and orphaned as a child, he was a Socialist Revolutionary, a terrorist, the assassin of the German ambassador Wilhelm von Mirbach, a poet close to the avant-garde, a member of Cheka, a military strategist, a secret agent, and Leon Trotsky’s secretary. Executed in 1929 on Stalin’s orders at the age of only twenty-nine, he has continued to inspire a powerful curiosity, and wild rumors and falsehoods about his extraordinary life abound today. As a young man in 1980s Paris, Christian Salmon identified strongly as a Bolshevik, drawn to the glorious October Revolution immortalized in literature and films such as Warren Beatty’s Reds and Sergei Eisenstein’s trilogy. Picking up the thread of his dream thirty years later, he sets out to reconstruct Blumkin’s shadowy past and ever-shifting identity with a trove of manuscripts, documents, rare photographs, and personal souvenirs.

The narrative spell cast over politics and society Politics is no longer the art of the possible, but of the fictive. Its aim is not to change the world as it exists, but to affect the way that it is perceived. In Storytelling Christian Salmon looks at the twenty-first-century hijacking of creative imagination, anatomizing the timeless human desire for narrative form, and how this desire is abused by the marketing mechanisms that bolster politicians and their products: luxury brands trade on embellished histories, managers tell stories to motivate employees, soldiers in Iraq train on Hollywood-conceived computer games, and spin doctors construct political lives as if they were a folk epic. This “storytelling machine” is masterfully unveiled by Salmon, and is shown to be more effective and insidious as a means of oppression than anything dreamed up by Orwell.

"Politics, as currently practiced, is no longer the art of the possible, but the art of the fictive. Its aim is not to change the world as it exists, but to affect the way it is perceived. This is the subject of Christian Salmon's Storytelling, which looks at how the creative imagination has been hijacked in the twenty-first century." "Salmon anatomizes the timeless human desire for narrative form and how it is abused in the marketing mechanisms behind politicians and products: luxury brands trade on their embellished histories, managers tell stories to motivate employees, soldiers in Iraq train on computer games conceived in Hollywood, and spin doctors construct political lives as if they were a folk epic." "Salmon unveils the workings of a "storytelling machine" more effective and insidious as a means of oppression than anything dreamed up by Orwell. The "reality-based community"--To use a phrase coined by an aide to George W. Bush - is now regularly outmaneuvered by public relations gurus and political advisers, as they construct story arcs for a population that has come to expect them."--Jacket