A solitary figure in 20th-century American academic life, this author taught English at the University of Chicago. He is known as a shaper of mid-century conservatism and an authority on modern rhetoric. As a Platonist philosopher, he explored the problem of universals and critiqued nominalism, serving as a literary and cultural critic and a theorist of human nature and society. His writings, particularly those on the consequences of ideas and the ethics of rhetoric, remain influential, especially among conservative theorists and scholars of the American South.
After enduring an abusive childhood, Richard Weaver finds solace and transformation through the testimonies of fellow Christians, leading him to embrace Christianity. He evolves into a passionate, rough-tongued evangelist, sharing his faith and experiences with fervor. His journey highlights themes of redemption and the power of personal testimony in overcoming adversity.
While Richard M. Weaver is best known for the classic Ideas Have Consequences, the foundation of his career was this study of his native South. Calling the Southern tradition "the last non-materialist civilization in the Western world," he traced its roots to feudalism, chivalry, religiosity, and aristocratic conventions. The Old South, he concluded, "may indeed be a hall hung with splendid tapestries in which no one would care to live; but from them we can learn something of how to live." Weaver’s exploration of the ideals and ideas of the Southern tradition as expressed in the military histories, autobiographies, diaries, and novels of the era following the Civil War—especially those written by the men and women on the losing side—is offered to a new generation of readers for whom that tradition has fallen into disrepute and who can scarcely imagine a life rooted in nature, the soil, and a powerful sense of honor. The Southern Tradition at Bay is, as Jeffrey Hart noted, the work of a man who admired what "is admirable indeed, and that is the foundation of wisdom and indeed sanity."
The Cultural Crisis of Our Time
This classic work by the author of Ideas Have Consequences boldly examines the Intellectual roots of our current cultural crisis.
Originally published in 1948, at the height of post-World War II optimism and confidence in collective security, this title uses words hard as cannonballs to present an unsparing diagnosis of the ills of the modern age. It argues that the decline of Western civilization resulted from the rising acceptance of relativism over absolute reality.
Originally published in 1843, this reprint captures the essence of its time, presenting themes and narratives that reflect the historical context of the era. The book offers readers a glimpse into the societal norms and challenges of the period, making it a valuable resource for understanding its cultural significance. Its enduring relevance speaks to the timelessness of its themes, inviting both new readers and those familiar with the text to explore its rich literary heritage.
The book explores the era from the 1890s to the 1940s, highlighting the work of postcard photographers who captured local street scenes, landmarks, and community gatherings. These photographs, transformed into postcards and sold in general stores, serve as significant historical artifacts, offering insights into American life during that time. The collection of images reflects the cultural and social dynamics of the nation, preserving memories of everyday moments and community spirit.
The book features a comprehensive collection of over 250 stamps from various countries, celebrating the historic Apollo 11 moon landing. It showcases stamps issued from nations spanning from Afghanistan to Yemen, highlighting the global impact of this monumental event in space exploration. This unique compilation serves as a tribute to the achievement of humanity's first steps on the moon.
Kniha obsahuje pozoruhodnou kritiku moderního masového, atomizovaného člověka; industrializace a snahy o naprosté ovládnutí přírody; moderních masmédií; ale i takových kulturních proudů jako jazz v hudbě či impresionismus v malířství; dále smazávání rozdílů mezi muži a ženami, jakož i pomužštění žen; a samozřejmě i laciné víry v pokrok v situaci, kdy se všude kolem šíří barbarství.
