Tom Wolfe Books

The first Americans in space--Yeager, Conrad, Grissom, and Glenn--battle the Russians for control of the heavens and put their lives on the line to demonstrate a quality beyond courage, in this classic by Wolfe.

With an anthology edited by Tom Wolfe and E. W. Johnson

Looking for new forms of status and power, the author travels from La Jolla to London in search of the 1960s subculture's wildest heroes. Reprint.

In the 1960s and the 1970s Tom Wolfe rose to fame as a chronicler of the gaudiest period in American history. It began at a hot-rod custom-car show where he marvelled at the little nest of pink angora angel's-hair used for the purpose of glamorous display. It grew - with his fascination for the Las Vegas-style neon-sculpture boom and its electro-pastel surge through the suburbs - into the kandy-kolored tangerine - flake streamline baby and the new journalism was born.

One night in the Bronx a millionaire, Sherman McCoy, and his mistress have an accident. The next day a young Black is in hospital in a coma as McCoy heads for disaster. His humiliation is at the centre of a satire on the decaying class, racial and political structure of New York in the 1980s.

"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

"When are the 1970's going to begin?" ran the joke during the l976 presidential bid. In these stories and essays Wolfe meets the question head-on -- even providing the label "The Me Decade".

A review of architectural trends in the twentieth century that attacks the modernist mainstream.

A decade ago, The Bonfire of the Vanities defined an era--and established Tom Wolfe as our prime fictional chronicler of America at its most outrageous and alive. Now the master is back with a pitch-perfect coast-to-coast portrait of our wild and wooly, no-holds-barred, multifarious country on the cusp of the millennium. The setting is Atlanta, Georgia--a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt. Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system. And back in Atlanta, when star Georgia Tech running back Fareek "the Canon" Fanon, a homegrown product of the city's slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city's delicate racial balance from blowing sky-high. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates--Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker's deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel Americahas seen in ages--Tom Wolfe's most outstanding achievement to date.

Annie Leibovitz's first book. All celebrity portraits: The Stones, Townsend, Michael Douglas, Patti Smith, Woody Allen, Clint Eastwood, etc. 142 pages; color and b&w photographic plates through out; 9.25 x 12.25 inches.