Ananda Kentish Coomaraswamy was a Ceylonese philosopher and metaphysician, as well as a pioneering historian and philosopher of Indian art. His work focused on art history and symbolism, and on introducing Indian culture to the West. He is described as 'the groundbreaking theorist who was largely responsible for introducing ancient Indian art to the West.' His efforts opened up a profound understanding of India's artistic heritage to Western audiences.
The book delves into Indian music with in-depth analysis, exploring its cultural significance. It also addresses the status of Indian women and the impact of Sahaja philosophy, while reflecting on the intellectual community and the perspectives of Indian youth. Themes of individualism are examined, providing a comprehensive look at contemporary Indian society.
The author writes further that Gandhara art is Indic, and not European. This book is highly recommended for scholars and researchers interested in Buddhist art.
His works were influenced by the Traditionalist and Perennial Schools of Philosophy. He authored several books which were based on the traditional arts, metaphysics, and social criticism. He was also the curator of Indian art at the Boston Museum of Fine Arts.
This book is a comprehensive study of Indian music, its history, theory, and practice. The author draws from his deep knowledge of Indian music and culture, offering a unique perspective on the art form. The book includes valuable information about the different styles, genres, and traditions of Indian music, highlighting their richness and diversity. A valuable resource for anyone interested in the culture and history of India and the music of other cultures.
Originally published in 1918, The Dance of Siva is a collection of fourteen essays exploring various aspects of Indian art and culture. Written by one of the foremost experts on South Asian art, it provides a fascinating insight into the symbolism and meaning of Hindu mythology and iconography. A must-read for anyone interested in Indian culture and spirituality.
Besides, Coomaraswamy offers his commentary based on the philological aspect, as the writers of the Vedas did not have previous knowledge of metaphysics, but had developed ontological knowledge from the existing Sanskrit sources.
Similarly, both Coomaraswamy and Horner also discuss the issues of heresiology, dhamma for the common folk, sacrifices, treatment of animals, and familial and societal responsibilities from Buddha's perspective.