Jennifer Wright Books

Zane's meticulously organized life is disrupted when a young dragon unexpectedly enters the picture. As he navigates the challenges of caring for this new companion, Zane must confront the chaos that accompanies the dragon's presence and reassess his notions of control and responsibility. This story explores themes of change, adaptability, and the bonds that form between unlikely friends.

In a perilous new world filled with dangerous creatures, Wesley faces a choice between embracing the thrill of adventure and pursuing love with a vampire or fleeing back to safety. The tension between the allure of the unknown and the fear of its terrors drives his journey, as he navigates the complexities of this enchanting yet treacherous realm.

Struggling with his feelings, Keddrick has kept his mate at a distance for four years to protect him from potential danger. However, when his beloved unexpectedly arrives seeking assistance, Keddrick faces the challenge of resisting the temptation to claim him. This emotional turmoil explores themes of love, sacrifice, and the complexities of relationships in a world filled with obstacles.

The integration of conductive polymer technology with nanofibre production promises significant advancements in biotechnology and information technology. This innovation is set to enhance areas such as tissue engineering scaffolds, drug delivery systems, and various electronic components like wires and capacitors. Additionally, it holds potential for sensor technology, biohazard protection, and improvements in energy transport, conversion, and storage.

Exploring the complexities of love and loss, this book delves into the emotional turmoil that accompanies deep connections. Through poignant narratives and thought-provoking reflections, it challenges readers to consider the value of love, even in the face of heartbreak. Themes of vulnerability, resilience, and the bittersweet nature of relationships are woven throughout, inviting contemplation on the significance of love in our lives and the lessons learned from both joy and sorrow.

A beautifully illustrated book about deadly fashion-real historical stories of strangulation by scarves, neckbreaking high heels, and riot-causing top hats

"Madame Restell is a sharp, witty Gilded Age medical history which introduces us to an iconic, yet tragically overlooked, feminist heroine: a glamorous women's healthcare provider in Manhattan, known to the world as Madame Restell. A celebrity in her day with a flair for high fashion and public, petty beefs, Restell was a self-made woman and single mother who used her wit, her compassion, and her knowledge of family medicine to become one of the most in-demand medical workers in New York. Not only that, she used her vast resources to care for the most vulnerable women of the city: unmarried women in need of abortions, birth control, and other medical assistance. In defiance of increasing persecution from powerful men, Restell saved the lives of thousands of young women; in fact, in historian Jennifer Wright's own words, "despite having no formal training and a near-constant steam of women knocking at her door, she never lost a patient." Restell was a revolutionary who opened the door to the future of reproductive choice for women, and Wright brings Restell and her circle to life in this dazzling, sometimes dark, and thoroughly entertaining tale. In addition to uncovering the forgotten history of Restell herself, the book also doubles as an eye-opening look into the "greatest American scam you've never heard about": the campaign to curtail women's power by restricting their access to healthcare. Before the 19th century, abortion and birth control were not only legal in the United States, but fairly common, and public healthcare needs (for women and men alike) were largely handled by midwives and female healers. However, after the Birth of the Clinic, newly-minted male MDs wanted to push women out of their space-by forcing women back into the home and turning medicine into a standardized, male-only practice. At the same time, a group of powerful, secular men-threatened by women's burgeoning independence in other fields-persuaded the Christian leadership to declare abortion a sin, rewriting the meaning of "Christian morality" to protect their own interests. As Wright explains, "their campaign to do so was so insidious-and successful-that it remains largely unrecognized to this day, a century and a half later." By unraveling the misogynistic and misleading lies that put women's health in jeopardy, Wright simultaneously restores Restell to her rightful place in history and obliterates the faulty, fractured reasoning underlying the very foundation of what has since been dubbed the "pro-life" movement. Thought-provoking, character-driven, funny, and feminist as hell, Madame Restell is required reading for anyone and everyone who believes that when it comes to women's rights, women's bodies, and women's history, women should have the last word"-- Provided by publisher

A powerful collection of stories about women who murdered--for revenge, for love, and even for pleasure--rife with historical details that will have any true crime junkie on the edge of their seat In every tragic story, men are expected to be the killers. There are countless studies and works of art made about male violence. However, when women are featured in stories about murder, they are rarely portrayed as predators. They're the prey. This common dynamic is one of the reasons that women are so enthralled by female murderers. They do the things that women aren't supposed to do and live the lives that women aren't supposed to want: lives that are impulsive and angry and messy and inconvenient. Maybe we feel bad about loving them, but we eat it up just the same. Residing squarely in the middle of a Venn diagram of feminism and true crime, She Kills Me tells the story of 40 women who murdered out of necessity, fear, revenge, and even for pleasure.

Z tej książki dowiesz się, że zabić cię może:• Taniec• Brudne ręce• Seks• W zasadzie wszystkoW 1518 roku kobieta zaczęła tańczyć w centrum Strasburga. Po tygodniu dołączyły do niej 34 osoby, po miesiącu kolejne 400. Wszyscy zmarli z powodu ataków serca, udarów mózgu, wycieńczenia organizmu. Zatańczyli się na śmierć.Od stuleci ludzkość była nawiedzana przez śmiercionośne plagi. Od czasów Imperium Rzymskiego, przez średniowiecze, aż po XX wiek dżuma, gruźlica, cholera i inne choroby próbowały zabić jak najwięcej osób.Co nas (nie) zabije. Największe plagi w historii ludzkości pozwala spojrzeć nam na najmroczniejsze chwile w historii. Z lekkością i humorem poznać najtragiczniejsze zarazy oraz bohaterów, którzy z nimi walczyli.