This biographical study explores the times that shaped Strauss and in turn succumbed to his influence. The Straussian presence and contribution to nineteenth-century Europe are significant beyond the lilting melodies and the clichéd image of the "waltz king" because these foreshadow the collision of the old order with the new. Johann Strauss "fiddled" as the Habsburg empire sank into a quagmire, mostly of its own making. It was Strauss, more than Schubert, Mozart, Haydn, Beethoven, Brahms, Mahler, or Schoenberg, who made Vienna and the waltz household words throughout the world. Yet the very spirit of his art, its joyous naivete, gave his era a false face, a mask of lighthearted well-being that was not consonant with the repression, persecution, hunger, inefficiency, martial and diplomatic defeats, and political ineptness which gave the period a more sinister cast. Oblivious of the turmoil that was to bring down one of the greatest ruling houses of Europe, Strauss spread his glorious music like a mantle of gold, prompting historians to aver that with the death of Johann Strauss, Emperor Franz Joseph ceased to reign--although the monarch outlived the musician by seventeen years.
Johann Strauss (Sohn) Books
Johann Strauss II was an Austrian composer who became a pivotal figure in 19th-century Viennese music. He is primarily celebrated for his ability to craft captivating dance music and operettas that encapsulate the spirit of his era. His compositions are characterized by melodic ingenuity and rhythmic verve, earning him the moniker "The Waltz King." Strauss masterfully composed music that celebrated life and movement, and his works continue to resonate with joy and elegance.







Wiener Melange - Doblinger's Series of Viennese String Music: Tik Tak
Polka schnell nach Motiven der Operette "Die Fledermaus" op. 365 ; für 2 Violinen, Viola, Violoncello/Kontrabass
- 6 pages
- 1 hour of reading
Schott
Der Zigeunerbaron
Operette in 3 Akten
Grundwissen Mathematik C
- 131 pages
- 5 hours of reading
Die Fledermaus
Operette
Wiener Melange - Doblingers Series of Viennese String Music: Frühlingsstimmen
Op. 410 - Für 2 Violinen, Viola, Violoncello / Kontrabass / For 2 Violins, Viola, Cello / Double Bass - Partitur & Stimmen / Score & Parts
Wiener Melange - Doblinger's Series of Viennese String Music: Unter Donner und Blitz
Op. 324 - Bearbeitet von / Arranged by Alexander Graf - Für 2 Violinen, Viola, Violoncello / Kontrabass - For 2 Violins, Viola, Cello / Double Bass - Partitur & Stimmen / Score & Parts
Die Fledermaus
Deutsches Theater Berlin. Spielzeit 2006/07
U krále valčíků
10 nejoblíbenějších valčíků pro klavír v snadném slohu
Persischer Marsch
Op. 289; für 2 Violinen, Viola, Violoncello/Kontrabass - Partitur & Stimmen / Score & Parts
Ouverture zur Operette Die Fledermaus - Partition + Parties Separees
Für 2 Violinen, Viola, Violoncello / Kontrabass - For 2 Violins, Viola, Cello / Double Bass - Bearbeitet von / Arranged by Alexander Graf






































