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Brian O. Murdoch

    June 26, 1944
    The fall of man in the early middle high German biblical epic
    The Fortunes of Everyman in Twentieth-Century German Drama
    The Dedalus book of medieval literature : the grin of the gargoyle
    All Quiet on the Western Front
    • The Fortunes of Everyman in Twentieth-Century German Drama

      War, Death, Morality

      • 194 pages
      • 7 hours of reading

      Exploring the existential struggles in an age marked by war and destruction, this study delves into three significant twentieth-century German plays. It examines how characters confront the absence of salvation, highlighting the profound challenges of living amidst chaos. The analysis offers insights into the themes of mortality and meaning, reflecting the broader human experience in a tumultuous historical context.

      The Fortunes of Everyman in Twentieth-Century German Drama2022
    • All Quiet on the Western Front

      • 295 pages
      • 11 hours of reading

      The masterpiece of the German experience during World War I, considered by many the greatest war novel of all time—with an Oscar–winning film adaptation now streaming on Netflix. “[Erich Maria Remarque] is a craftsman of unquestionably first rank.”—The New York Times Book Review I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. . . . This is the testament of Paul Bäumer, who enlists with his classmates in the German army during World War I. They become soldiers with youthful enthusiasm. But the world of duty, culture, and progress they had been taught breaks in pieces under the first bombardment in the trenches. Through years of vivid horror, Paul holds fast to a single vow: to fight against the principle of hate that meaninglessly pits young men of the same generation but different uniforms against one another . . . if only he can come out of the war alive.

      All Quiet on the Western Front2012
      4.1
    • Brian Murdoch provides an alternative view of the Middle Ages, showing the anarchy and decadence which lurked below the surface of a devout and conformist society. The grinning gargoyle, which mocked the solemnity of Gothic cathedrals, symbolises the violence, depravity and irreverence inherent in man which could not be suppressed by the church.

      The Dedalus book of medieval literature : the grin of the gargoyle1995
      3.4