The collection features a range of personal essays that blend humor and introspection, showcasing the author's unique voice. The title piece reflects on a youthful romance with a female professor, capturing the essence of youthful misadventures. Other notable works include a poignant friendship with Susan Sontag, a darkly humorous take on addiction, and a lively exploration of lesbianism and art through the lens of Agnes Martin’s paintings. Castle's incisive commentary and vivid storytelling offer a rich tapestry of experiences and insights.
Terry Castle Books
Terry Castle is celebrated for her incisive and highly expressive literary criticism. Her writings delve into the intricate intersections of female sexuality and its presence within modern culture. Through her critical works, Castle offers profound insights into literary and cultural phenomena, earning acclaim for her illuminating and intellectually stimulating approach.



Carol
- 320 pages
- 12 hours of reading
'Some books change lives. This is one of them' Val McDermidA haunting story of obsessive love which scandalized the world when first published
`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.' Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the threat of her own psychological disintegration. A best-seller in its day and a potent influence on Walpole, Poe, and other writers of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. As the same time, with its dream-like plot and hallucinatory rendering of itscharacters' psychological states, it often seems strangely modern: `permanently avant-garde' in Terry Castle's words, and a profound and fascinating challenge to contemporary readers.