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Grete Osterwald

    Mathilda Savitch
    The Second Sex
    What I Loved
    • 2011

      Mathilda Savitch

      Roman. Ausgezeichnet mit dem PEN Literary Award (Fiction) 2010

      • 299 pages
      • 11 hours of reading
      3.0(14)Add rating

      "Es gibt schöne Dinge auf der Welt und es gibt traurige Dinge, und wenn sie zusammenkommen, bilden sie einen Stern." In Mathildas Welt gibt es ganz schön viele traurige Dinge, zum Beispiel, dass ihre große Schwester Helene tot ist. Es gibt aber auch schöne Dinge, wie die Freundschaft zu der reizenden Anna oder die blauen Haare ihres Nachbarn Kevin. Mit ungewöhnlich viel Mut stellt sich Mathilda dieser Welt und macht sich auf die Suche nach der Wahrheit über den Tod ihrer Schwester. Sie findet etwas, das jeder von uns in sich finden kann: Einen Stern, der tief in unserem Inneren leuchtet.

      Mathilda Savitch
    • 2007

      'Everyone who cares about freedom and justice for women should read The Second Sex' Guardian Simone de Beauvoir famously wrote, 'One is not born, but rather becomes, a woman'. In this groundbreaking work of feminism she examines the limits of female freedom and explodes our deeply ingrained beliefs about femininity. Liberation, she argues, entails challenging traditional perceptions of the social relationship between the sexes and, crucially, in achieving economic independence. Drawing on sociology, anthropology and biology, The Second Sex is as important and relevant today as when it was first published in 1949.

      The Second Sex
    • 2003

      What I Loved

      • 370 pages
      • 13 hours of reading
      4.4(524)Add rating

      What I Loved is a deeply touching elegiac novel that mourns for the New York artistic life, which was of a time but now has gone--by extension, it is about all losses swept away by mischance and time. Half-blind and alone, Leo tells us of marriage and friendship, and makes the sheer fragility of what seemed forever not only his subject, but perhaps the only subject worth considering. Scholars Leo and his wife Erica admire, and befriend, artist Bill and his first and second wives--their respective sons Matthew and Mark grow up together until the first of a series of tragedies strikes. And things get gradually worse from then on, both because terrible things happen and because people do not get over them. Part of the strength of this impressive novel is its emotional intensity and part is the context in which those emotions exist; these are smart and talented people, even the children, and we luxuriate, even when things are at their worst, in the sheer intelligence they bring to bear on their situations. It is also impressive that, for Hustvedt, intelligence is an end in itself rather than something that prevents tragedy or makes it more bearable. This is a powerful book because everything Leo knows makes him ever more the victim of exquisite pain. -- Roz Kaveney

      What I Loved