This book explores a new approach to the study of writing, through the concept of the 'graphosphere'. It presents a comprehensive interpretative guide to forms of writing in Russia across four centuries, and a test case for comparative study of graphospheres elsewhere.
Simon Franklin Book order (chronological)
Simon Franklin is Professor of Slavonic Studies at the University of Cambridge, UK, and a Fellow of Clare College. His work delves deeply into Russian history and culture, exploring its rich complexities. Franklin's academic contributions are recognized for their significant achievements in the field.
The Emergence of Rus 750-1200
- 472 pages
- 17 hours of reading
Focusing on the development of a political, economic, and social nexus among the diverse inhabitants between the Carpathians and Urals, this volume reveals the historical roots of modern Russia, Ukraine, and Belarus. The authors delve into life in Rus, highlighting the rise of Kiev as a political center, the advent of Christianity, and regional prosperity amidst shifting power dynamics. Despite its fractured and tumultuous nature, the narrative showcases a story of growth and achievement, offering a comprehensive synthesis of post-Soviet historiography.
The Master & Margarita
- 367 pages
- 13 hours of reading
This is a fully annotated translation of the most complete text of Bulgakov's exuberant comic masterpiece. A literary sensation from its first publication, The Master and Margarita has become an astonishing publishing phenomenon in Russia and has been translated into more than twenty languages, and made into plays and films. Mikhail Bulgakov's novel is now considered one of the seminal works of twentieth-century Russian literature. In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. Together they succeed in comically befuddling a population which denies the devil's existence, even as it is confronted with the diabolic results of a magic act gone wrong. This visit to the world capital of atheism has several aims, one of which concerns the fate of the Master, a writer who has written a novel about Pontius Pilate, and is now in a mental hospital. By turns acidly satiric, fantastic and ironically philosophical, this work constantly surprises and entertains, as the action switches back and forth between the Moscow of the 1930s and first century Jerusalem. The commentary and afterword provide new insight into the mysterious subtexts of the novel, and here The Master and Margarita is revealed in all its complexity. --back cover