Willy Vlautin crafts deeply evocative narratives that explore the lives of individuals on the fringes of American society. His work is characterized by a stark realism, focusing on themes of poverty, addiction, and the complex bonds that tie people together even in their struggles. Vlautin's prose captures the gritty essence of the American West, portraying characters who grapple with difficult circumstances with a raw and unflinching honesty. Despite the hardships his characters face, there is a persistent undercurrent of resilience and a search for connection.
Horace Hopper, raised on a Nevada sheep ranch by the caring Mr. and Mrs. Reese, grapples with feelings of inadequacy stemming from his mixed Paiute and Irish heritage. Despite their intentions to pass the ranch to him, Horace feels he doesn't belong and seeks to forge his own identity. Driven by a desire to prove himself, he leaves behind the only family he's known to pursue a career as a championship boxer, embarking on a journey of self-discovery and ambition.
Fleeing Las Vegas and her abusive boyfriend, Allison Johnson moves to Reno, but finds herself haunted by the mistakes of her past, and lacking any self-belief. Her only comfort seems to come from the imaginary conversations she has with her hero, Paul Newman. But, as life crawls on, small acts of kindness do start to reveal themselves and slowly the chance of a new life begins to emerge. Full of memorable characters and imbued with a beautiful sense of yearning, Northline is an extraordinary portrait of small-town America and an emotional tour de force.
Lean on Pete tells the story of fifteen-year-old Charley Thompson, a kid who yearns for stability as his single-parent father moves them for job to job across the Pacific Northwest. Desperation brings Charley to run-down horse track where he gets work of his own as a groom to a bitter, ageing trainer. It's there that he finds kinship with the horse Lean on Pete, and ultimately sets off on a journey to try and save them both. In prose marked by a haunting kindness, Willy Vlautin paints an extraordinary picture of life on the margins of contemporary American society.
Opening like an early Tom Waits barstool-tale, The Motel Life tells the story of two brothers, Frank and Jerry Lee. Taking to the road in an attempt to escape the hit and run accident caused by Jerry Lee, the novel goes back to tell the story of their unhappy lives. With intense feeling and compassion, Vlautin explores the frustrations and failed dreams of the two brothers - one a natural storyteller, the other an artist - and renders perfectly the sense of entrapment they feel. Will the kid's death shock them out of their torpor or send them ever deeper into trouble? Can Annie James, a girl from their past, offer them any sort of redemption, however slim?Interspersed with drawings that come to form an integral part of the narrative, The Motel Life is a poetic, moving, beautifully naïve and tragic fictional debut. Alongside such seminal works as Annie Proulx's Postcards, Raymond Carver's What we talk about when we talk about love and Denis Johnson's Jesus's Son, it should come to be seen as a classic of downbeat American prose.
While serving in Iraq, veteran Leroy Kervin suffered a traumatic brain injury. Frustrated by the simplest daily routines, and unable to form new memories, he eventually attempts suicide. Lying in a coma, he retreats deep inside the memories locked in his mind. Freddie McCall works two jobs and still can't make ends meet. He's lost his wife and kids, and the house is next. Medical bills have buried him in debt, a situation that propels him to consider a lucrative - and dangerous - proposition. Pauline Hawkins is a nurse at the local hospital. Though she attends to others' needs with practical yet firm kindness, including her mentally ill elderly father, she remains emotionally removed. But a new patient, a young runaway, touches something deep and unexpected inside her.
With "echoes of Of Mice and Men"(The Bookseller, UK), The Motel Life explores the frustrations and failed dreams of two Nevada brothers—on the run after a hit-and-run accident—who, forgotten by society, and short on luck and hope, desperately cling to the edge of modern life.
Opening like an early Tom Waits barstool-tale, The Motel Life tells the story of two brothers, Frank and Jerry Lee. Taking to the road in an attempt to escape the hit and run accident caused by Jerry Lee, the novel goes back to tell the story of their unhappy lives. With intense feeling and compassion, Vlautin explores the frustrations and failed dreams of the two brothers - one a natural storyteller, the other an artist - and renders perfectly the sense of entrapment they feel. Will the kid's death shock them out of their torpor or send them ever deeper into trouble? Can Annie James, a girl from their past, offer them any sort of redemption, however slim?Interspersed with drawings that come to form an integral part of the narrative, The Motel Life is a poetic, moving, beautifully naïve and tragic fictional debut. Alongside such seminal works as Annie Proulx's Postcards, Raymond Carver's What we talk about when we talk about love and Denis Johnson's Jesus's Son, it should come to be seen as a classic of downbeat American prose.
The writing is spare and straightforward...There is intensity in Vlautin's
narration, and also beauty and power...Vlautin's major accomplishment lies in
posing a damning question: How could we, as a society, have allowed this to
happen? Seattle Times
Between looking after her brother, working two low-paid jobs, and trying to take part-time college classes, Lynette is dangerously tired. Every penny she's earned for years, she's put into savings, trying to scrape together enough to take out a mortgage on the house she rents with her mother. Finally becoming a homeowner in their rapidly gentrifying Portland neighbourhood could offer Lynette the kind of freedoms she's never had. But, when the plan is derailed, Lynette must embark on a desperate odyssey of hope and anguish. Written with all Willy Vlautin's characteristic and heart-wrenching empathy, The Night Always Comes holds up a mirror to a society which leaves too many people only a step away from falling between the cracks.
This Side of the Divide: New Lore of the American West is the second entry in the Divide anthology series attempting to capture the newness, vastness, territoriality, and sense of transience alive in the American West. In this collection legends, myths, tales, omens, folk horror, and science fiction explore the fantastical, the apocalyptic, the bizarre, the unknown, and the apocryphal origins and conclusions of life on the occidental side of the Continental Divide. In this collection, after the 'what is' comes the 'what will be', as acclaimed authors and emerging voices weave tales that push the boundaries of imagination: Ken Liu takes us to the frontiers of America and China in a stark tale of perseverance; Kate Bernheimer immerses us in the fairytale lands of modern celebrity; Benjamin Percy takes us hunting for deer and connection in eastern Oregon; Yuri Herrera grants us insight on our future overlords; Tessa Fontaine places us in-between with a monster and a question; Dominique Dickey chases familiar ghosts; and Willy Vlautin takes us on the wild ride that is a winning streak. Accompanied by a foreword from This Side of the Divide alum, and author of The Forbidden City, Vanessa Hua, these twenty-five pieces of new lore excavate the beauty, the uncertainty, the longing, the bitter interactions and stark truths; the strong people and vivid places that have shaped, and will continue to shape the West until the end of days.
