Yoshiharu Tsuge Books

"Yoshiharu Tsuge leaves early genre trappings behind, taking a light, humorous approach in these stories based on his own travels. Red Flowers ranges from deep character studies to personal reflections to ensemble comedies set in the hotels and bathhouses of rural Japan. There are irascible old men, drunken gangsters, reflective psychiatric-hospital escapees, and mysterious dogs. Tsuge's stories are mischievous and tender even as they explore complex relationships and heartache. It's a world of extreme poverty, tradition, secret fishing holes, and top-dollar koi farming...Red Flowers affirms why Tsuge went on to become one of the most important cartoonists in Japan. These vital comics inspired a wealth of fictionalized memoir from his peers and a desire within the postwar generation to document and understand the diversity of their country's culture."-- Provided by publisher

A Japanese manga legend's autobiographical graphic novel about a struggling artist and the first full-length work by the great Yoshiharu Tsuge available in the English language. Yoshiharu Tsuge is one of comics' most celebrated and influential artists, but his work has been almost entirely unavailable to English-speaking audiences. The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs -- used camera salesman, ferryman, and stone collector -- hoping to find success among the hucksters, speculators, and deadbeats he does business with. Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge's importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.

"Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge's fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge's unique sense of humor and point of view. 'Chirpy' is a simple domestic drama about expectations, fidelity, and escape. A couple purchase a beautiful white bird with a red beak. It is said that the bird will grow attached to its owners and never fly away. While the girlfriend is working as a hostess, flirting with men for money, the boyfriend decides to draw a portrait of the new family member, and disaster strikes. In 'The Swamp', a simple rural encounter is charged with sexual tension that is alluring but also fraught with danger. When a young woman happens upon a wing-shot goose, she tries to calm it then suddenly snaps its neck. Later, she befriends a young hunter and offers him shelter, but her motivations remain unclear, especially when the hunter notices a snake in the room where they'll both be sleeping."--Provided by publisher

The most critically acclaimed comic of the Japanese counterculture Nejishiki unveils the most iconic scenes from Yoshiharu Tsuge’s highly respected body of work alongside his most beloved stories. A cornerstone of Japan’s legendary 1960s counterculture that galvanized avant-garde manga and comics criticism, the title story follows an injured young man as he wanders through a village of strangers in search of emotional and physical release. Other stories in this collection follow a series of weary travelers who while away sultry nights and face menacing doppelgängers. Even banal activities like afternoon strolls uncover unsavory impulses. The emotionally and erotically charged imagery collected in this third volume remains as shocking and vivid today as it did upon its debut fifty years ago. Tsuge’s stories push boundaries, abruptly crossing the threshold of conventional storytelling. Unassuming protagonists venture further into eerie symbolism against a shadowy, perceptibly dreamlike landscape easily mistaken for the real world. The angst that pervades postwar Japanese society threatens to devour his characters and their pastoral sensibilities as each protagonist’s wanderlust turns surreal.

„Mein Ziel”, so Yoshiharu Tsuge in einem Interview, „war es, mich, wann immer sich mir die Gelegenheit bot, vom traditionellen Geschichtenerzählen zu distanzieren. Man könnte sagen, dass ich an dem, was wir ,Handlung’ nennen, nicht interessiert war.” Die Geschichten, die in Yoshios Jugend versammelt sind, bewegen sich zwischen Traum und Realität, zwischen Alltag und Wahnsinn. Yoshiharu Tsuge blickt zurück auf die Härten der Nachkriegszeit, die Unschuld seiner Anfänge als Mangaka und auf die Ernüchterung, die folgte. Wie Rote Blüten und Der Nutzlose Mann sind die Erzählungen des jungen Yoshio Watakushi-Manga, „Ich-Manga“ voller Introspektion, in denen sich die luzide und entzauberte Beschreibung der Wirklichkeit mit Momenten reiner Lyrik abwechselt, und groteske Porträts sich mit zarten Einbrüchen in die Komödie mischen. Yoshiharu Tsuge blickt zurück auf seine Vergangenheit und schöpft aus Erlebnissen aus seiner Kindheit und als Erwachsener, während sein Stil sich immer wieder neu erfindet. Mit einem Vorwort von Toshiaki Kobayashi und einem Nachwort von Mitsuhiro Asakawa.