Carmela Ciuraru Books

Many kinds of equine characters grace these pages, from magnificent war horses to cowboys' trusty steeds, from broken-down nags to playful colts, from wild horses to dream horses.

This rousing anthology features the work of more than twenty-five writers from the great twentieth-century countercultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafés, the Beats gave birth to a literature of previously unimaginable expressive range.The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder, and Michael McClure and the work of such women writers as Diane DiPrima and Denise Levertov. LeRoi Jones’s plaintive “Preface to a Twenty Volume Suicide Note” and Bob Kaufman’s stirring “Abomunist Manifesto” appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers.Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.

A witty, provocative look inside the tumultuous marriages of five famous writers, illuminating the creative process as well as the role of money, fame, and power in these complex and fascinating relationships."With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life--dependent on his wife to fold an umbrella, answer the phone, or lick a stamp."The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. In our #MeToo era, it is impossible not to challenge notions of power and silence in the context of writers' marriages.The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in LIVES OF THE WIVES is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs.As this erudite and entertaining book shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers.LIVES OF THE WIVES is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love.

What's in a name? In our "look at me" era, everyone's a brand. Privacy now seems a quaint relic, and self-effacement is a thing of the past. Yet, as Nom de Plume reminds us, this was not always the case. Exploring the fascinating stories of more than a dozen authorial impostors across several centuries and cultures, Carmela Ciuraru plumbs the creative process and the darker, often crippling aspects of fame. Biographies have chronicled the lives of pseudonymous authors such as Mark Twain, Isak Dinesen, and George Eliot, but never before have the stories behind many noms de plume been collected into a single volume. These are narratives of secrecy, obsession, modesty, scandal, defiance, and shame: Only through the protective guise of Lewis Carroll could a shy, half-deaf Victorian mathematician at Oxford feel free to let his imagination run wild. The "three weird sisters" (as they were called by the poet Ted Hughes) from Yorkshire the Brontes produced instant bestsellers that transformed them into literary icons, yet they wrote under the cloak of male authorship. Bored by her aristocratic milieu, a cigar-smoking, cross-dressing baroness rejected the rules of propriety by having sexual liaisons with men and women alike, publishing novels and plays under the name George Sand. Grounded by research yet highly accessible and engaging, these provocative, astonishing stories reveal the complex motives of writers who harbored secret identities sometimes playfully, sometimes with terrible anguish and tragic consequences. A wide-ranging examination of pseudonyms both familiar and obscure, Nom de Plume is part detective story, part expos , part literary history, and an absorbing psychological meditation on identity and creativity

"A witty look at the complex and fascinating but tumultuous marriages of five well-known figures in the literary world, including British theater critic Kenneth Tynan, and authors Roald Dahl and Kingsley Amis."-- Publisher's description