Marge Piercy crafts compelling narratives that delve into the lives of women, exploring themes of feminism and social justice with unwavering commitment. Her extensive body of work spans novels and poetry, offering rich explorations of societal change and the human condition. Piercy artfully weaves historical elements, Jewish mysticism, and personal reflections into her stories, creating layered and thought-provoking prose. Her style, often characterized by personal free verse, reflects a deep dedication to the ideals of social progress and the mending of the world.
In a stunning tour-de-force, Marge Piercy has woven a tapestry of World War II, of six women and four men, who fought and died, worked and worried, and moved through the dizzying days of the war. A compelling chronicle of humans in conflict with inhuman events, Gone to Soldiers is an unforgettable reading experience and a stirring tribute to the remarkable survival of the human spirit.
Her seventh and most wide ranging collection. In the 1st of 2 sections, the poems move from the amusingly elegiac to the erotic, the classical to the funny. The 2nd section is a series of 15 poems for a calendar based on lunar rather than solar divisions
A strange mixture of past and future, woven around the Jewish community in Prague during the 16th-century holocaust, and the new world in the 21st century. The author also wrote "Braided Lives", "Gone to Soldiers", "Small Changes", "Summer People" and "Vida".
"Another winning collection from one of our most read and enjoyed poets: a bountiful group of poems that reflect on language, nature, old age, young love, Judaism, and our current politics--all in her usual direct and mind-tingling fashion. "Words are my business," Marge Piercy begins her twentieth collection of poetry, a glance back at a lifetime of learning, loving, grieving, and fighting for the disenfranchised; and a look forward at what the future holds for herself, her family and friends, and her embattled country. In the opening pages, Piercy tells of her childhood in Detroit, with its vacant lots and scrappy children, the bike that gave her wings, her ambition at fourteen to "gobble" down all knowledge, a too early marriage ("I put on my first marriage / like a girdle my skinny body / didn't need.") We then leap into the Twilight Zone "after the knee has been replaced," where she is "learning to be quiet," learning to give praise despite it all. There are funny poems about medicine ads with their dire warnings, and some possible plusses about being dead: "I will never have to do another load of laundry . . ." There is "comfort in old bodies coming together," in a partner's warmth--"You're always warm: warm hands / smooth back sleek as a Burmese cat./ Sunny weather outside and in." Piercy has long been known for her political poems and her love of cats, and here there are plenty of both. Illegal immigrants, dying languages, fraught landscapes, abortion, President-speak. She examines her nonbeliever's need for religious holidays and spiritual depth, and the natural world is appreciated throughout. On the Way Out, Turn Off the Light is yet more proof of Piercy's love and mastery of language--it is moving, stimulating, funny, and full of the stuff of life"-- Provided by publisher
The collection begins with poignant elegies dedicated to the poet's estranged half-brother, setting a deeply emotional tone. It features a blend of serious and humorous poems that explore themes of womanhood and the delicate relationship between humanity and nature. The work culminates in the uplifting piece "The Art of Blessing the Day," which celebrates life and gratitude. This diverse range of poems showcases the poet's ability to blend humor with profound reflections, making it a significant addition to contemporary poetry.
Often compared to Margaret Atwood's The Handmaid's Tale and Naomi Alderman's
The Power - Woman on the Edge of Time has been hailed as a classic of
speculative science fiction. Disturbing and forward thinking, Marge Piercy's
remarkable novel will speak to a new generation of readers.
Post-Civil War New York City is the battleground of the American dream. In this era of free love, emerging rights of women, and brutal sexual repression, Freydeh, a spirited young Jewish immigrant, toils at different jobs to earn passage to America for her family. Learning that her younger sister is adrift somewhere in the city, she begins a determined search that carries her from tenement to brothel to prison—as her story interweaves with those of some of the epoch's most notorious figures: Elizabeth Cady Stanton; Susan B. Anthony; sexual freedom activist Victoria Woodhull, the first woman to run for president; and Anthony Comstock, founder of the Society for the Suppression of Vice, whose censorship laws are still on the books. In the tradition of her bestselling World War II epic Gone to Soldiers , Marge Piercy once again re-creates a turbulent period in American history and explores changing attitudes in a land of sacrifice, suffering, promise, and reward.
The renowned novelist and poet Marge Piercy tells a contemporary love story set in the twin realms of college and national politics In the politically prominent Dickinson family, ambition comes first, and Melissa, the third child, has always felt that she comes last. Going away to college offers her a chance at a life free from her brilliant mother's constant scrutiny and her famous father's lack of interest. There she meets Blake, a man of mixed race and apparently unknown parentage. His adoptive parents are lawyers whose defense of death- row cases has brought them head-to-head with Melissa's father, the former governor of Pennsylvania who is now a U.S. senator. Melissa and Blake's attraction is immediate; their affair, fiery. Yet Blake is keeping a dangerous secret from Melissa, one that could destroy them -- and their families. Dealing with themes of love, honesty, identity, and the consequences of ambition, this thoughtful, beautifully written story is a remarkable and provocative page-turner.
"This epic story is fueled with intense commitment and sensuousness." LOS ANGELES TIMES BOOK REVIEW Vida was their star--the beautiful, charismatic radical from the pages of LIFE magazine--the symbol of the passionate rebellion of the sixties. Now, ten years later, the shouting is over, but Vida is still on the run. Staying in Network hideouts, traveling disguised, fearing every glance, she finds her best protection is her distrust of everyone--a lesson learned from past treacheries. And now, knowing the dangers, she finds herself warming again toward a man, an outcast ten years younger than herself.