The collection features pivotal essays by W. E. B. Du Bois, showcasing his early concepts such as "the veil," "double-consciousness," and the "problem of the color line." Spanning from 1894 to 1906, these writings, some previously unpublished or recently translated, reveal Du Bois's profound historical insights and his evolving thoughts on race and identity. This volume serves as a crucial companion to his renowned work, The Souls of Black Folk, highlighting the foundational ideas that shaped his intellectual legacy.
The Philadelphia Negro is the first, and perhaps still the finest, example of
engaged sociological scholarship-the kind of work that, in contemplating
social reality, helps to change it.
John Brown's fervent commitment to abolitionism, driven by a profound moral conviction against slavery, led him to advocate for armed insurrection as a means of achieving freedom. His 1859 raid on Harpers Ferry, though unsuccessful, marked a pivotal moment in American history, intensifying the divide between pro and anti-slavery factions and setting the stage for the Civil War. W. E. B. Du Bois's 1909 biography paints Brown as a passionate leader whose dedication to his ideals transcended conventional power structures. This edition features premium acid-free paper.
Du Bois' radical text is a rare statement of values formed around the vision
of a collective life, where the humanity of black women and men is treated
with dignity and equality. He expresses his themes through a series of
literary forms: polemic essay, prayer, poetry and short science fiction.
This landmark book is a founding work in the literature of black protest. W. E. B. Du Bois (1868-1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression. Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
A thorough account of Africa's history and its lasting influence on Western culture told from the perspective of the disparate descendants who inherited its legacy. W.E.B. Du Bois highlights the hidden stories that connect these varied communities. Originally published in 1915, The Negro presents an expansive analysis of the African diaspora over the course of history. W.E.B. Du Bois uses a critical eye to survey the early depictions of the continent, debunking stereotypical myths about its social structure. He addresses the generational impact of slavery as well as the capitalistic system that made it possible. It's an honest look at the effects of white supremacy, classism and its place in modern society. From Ethiopia and Egypt to the West Indies and Latin America, Africa's influence is undeniable. The Negro sheds light on the ignored history of the continent and its many descendants. It's a vital piece of literature that acknowledges and celebrates its cultural power. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Negro is both modern and readable.
W. E. B. Du Bois was one of the most important American authors of the
twentieth century. While he is best known for his writings on themes of Black
social and political life in the United States, this volume highlights his
critical insights into empire and global politics.
The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. "How silent the street was! Not a soul was stirring, and yet it was high-noon?Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs." Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois? The Comet is a classic work of African American literature reimagined for modern readers.--Amazon
