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Albert Renger Patzsch

    Der Blick der Sachlichkeit
    Die Ruhrgebietsfotografien
    Albert Renger-Patzsch, das Spätwerk
    Albert Renger-Patzsch
    Die Moderne im Blick - Albert Renger-Patzsch fotografiert das Fagus-Werk ; [erscheint anlässlich der gleichnamigen Ausstellung im Bauhaus-Archiv Berlin vom 22. Juni bis zum 29. August 2011]
    Albert Renger-Patzsch
    • 1997

      Albert Renger-Patzsch

      • 176 pages
      • 7 hours of reading

      Albert Renger-Patzsch's contribution to the avant-garde photography of the 1920s and early 1930s established his leading role in the history of the medium. Die Welt is Schon or The World is Beautiful became of the most influential photographic books ever. His cool, clinical pictures, with their details of technical apparatus, industrial products and natural organisms, were models of a new artistic vision, combining objectivity and order with beauty and technology. This volume accompanies a major retrospective at the Sprengel Museum in Hanover celebrating the centenary of the innovative artist. It is edited by the founders and directors of the Albert Renger-Patzsch Archive in Cologne and contains the much publicized Icons of New Objectivity - the famous still lives of Jena glass, or rows of flat irons at a shoe factory - and lesser known pictures of landscapes and architecture, a selection of city portraits and photographic studies of trees and stones.

      Albert Renger-Patzsch
    • 1993

      Albert Renger-Patzsch

      Joy Before the Object

      • 82 pages
      • 3 hours of reading

      The great German photographer Albert Renger-Patzsch was a contemporary of Moholy-Nagy and Brecht and a close friend of Hermann Hesse, yet his work is little known in the English-speaking world. Born in Wurzburg in 1897, Renger-Patzsch was a member of the movement that came to be known as NeueSachlichkeit ("New Objectivity"). His most famous book Die Welt ist schon (The World is Beautiful), published in 1928, immediately established him as one of the leading photographers in Germany. This volume brings together sixty-five of Renger-Patzsch's photographs, many of them never beforepublished. Together they help trace the life, career, and influence of one of the century's most important photographers, and will be an essential resource for scholars, social historians, and students of photography.

      Albert Renger-Patzsch