This American author, celebrated for her poetry and novels, imbues her work with keen perceptiveness and carefully wrought prose. Her narratives often explore complex protagonists who find self-esteem through the intervention of possibly magical characters. Praised for incisive characterizations and ambiguous endings, her novels were a critics’ favorite. Her career, though tragically cut short, left a significant literary mark, leaving readers to wonder about the masterpieces that might have followed.
Lucy lebt in einem Waisenhaus und wird von den anderen Kindern gehänselt. Doch das stört sie nicht mehr, denn sie hat ein Puppenhaus in der Rumpelkammer entdeckt. Dort flieht sie jeden Nachmittag in eine Phantasiewelt, in der sie mit Puppeneltern und -geschwistern ein glückliches Leben führt.
At twelve, Maggie had been thrown out of more boarding schools than she cared to remember. "Impossible to handle," they said—nasty, mean, disobedient, rebellious, thieving—anything they could say to explain why she must be removed from the school. Maggie was thin and pale, with shabby clothes and stringy hair, when she arrived at her new home. "It was a mistake to bring her here," said Maggie's great-aunts, whose huge stone house looked like another boarding school—or a prison. But they took her in anyway. After all, aside from Uncle Morris, they were Maggie's only living relatives. But from behind the closet door in the great and gloomy house, Maggie hears the faint whisperings, the beckoning voices. And in the forbidding house of her ancestors, Maggie finds magic ... the kind that lets her, for the first time, love and be loved.