An internationally renowned expert relates the secrets behind the recipes, materials, and processes used by medieval painters to obtain brilliance and permanence. Based on years of study of antique manuscripts and modern laboratory analysis, this volume explains carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. "A rich feast." — The Times (London).
Bernard Berenson Books
Bernard Berenson was an American art historian who specialized in the Renaissance. He was a pivotal figure in pioneering art attribution, thereby establishing the market for paintings by the "Old Masters." His work significantly shaped the understanding and valuation of art from this period.






Essays in the Study of Sienese Painting
- 248 pages
- 9 hours of reading
The Venetian Painters Of The Renaissance: With An Index To Their Works
- 168 pages
- 6 hours of reading
Venetian Painting in America: The Fifteenth Century
- 480 pages
- 17 hours of reading
This is a comprehensive survey of Venetian painting in America during the 15th century, with a particular focus on works by Giovanni Bellini, Carpaccio, and other notable artists of the period. Berenson's insightful commentary and expert analysis make this an essential volume for anyone interested in the art and culture of Renaissance Venice.
Lorenzo Lotto: An Essay in Constructive Art Criticism
- 448 pages
- 16 hours of reading
Catalogue Of A Collection Of Paintings And Some Art Objects
- 444 pages
- 16 hours of reading
The Florentine Painters of the Renaissance: With an Index to Their Works
- 182 pages
- 7 hours of reading
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Venetian Painting, Chiefly Before Titian, at the Exhibition of Venetian Art, The New Gallery, 1895
- 52 pages
- 2 hours of reading
The Study and Criticism of Italian Art: Third Series
- 254 pages
- 9 hours of reading
The Central Italian Painters of the Renaissance
- 214 pages
- 8 hours of reading