Peter Lanyon transformed the art of landscape, rescuing it from the picturesque and bringing it back to the centre as a radical practice capable of expressing radical ideas. This book sets out to explain just what this transformation involved. It offers fresh reflections on Lanyon's relationship with both American art and post-war Paris.
Stanley Spencer's artwork delves into profound themes such as religion, love, sexuality, and community, showcasing a distinctive urgency and dedication that sets him apart from his contemporaries. His exploration of these fundamental issues reflects a deep engagement with the human experience, making his contributions to British art both significant and impactful.
Since 1945, the evolution of sculpture has accelerated, transforming it from a fixed category into a dynamic field. Recent decades have seen the modernist conception of sculpture in the UK, America, and Europe challenged, with nationality and politics entering public discourse. This groundbreaking account of post-War sculpture by Andrew Causey examines avant-garde works alongside contemporary events, festivals, commissions, the marketplace, and the evolving roles of museums. He delves into the use of everyday objects and the significance of sculptural context, discussing both figurative and non-figurative works, including Anti-form, Minimalism, experimental forms, Earth Art, landscape sculpture, installation, and Performance Art. The comprehensive overview of post-War sculpture presented here identifies key events and themes that will shape future discussions. Pre-publication reviews highlight Causey's adept navigation through the complexities of post-War sculpture, with Professor Stephen Bann noting the comprehensive nature of his work. Elizabeth Cowling praises the balance of institutional analysis and individual artist commentary, while Sir Anthony Caro describes it as a clear guide to the emerging significance of modern sculpture as a major art form.
Exploring the evolution of Paul Nash's artistry, this book delves into his unique contribution to English art during the early 20th century. It highlights how Nash's work, rooted in modernism, developed into a distinct form of English landscape-based Surrealism. The narrative is structured both chronologically and thematically, providing insights into Nash's impact on the art world and his innovative approach to landscapes. Andrew Causey offers a comprehensive examination of Nash's creative journey and artistic significance.
In this meditation/how-to guide on drawing as an ethnographic method, Andrew Causey offers insights, inspiration, practical techniques, and encouragement for social scientists interested in exploring drawing as a way of translating what they see during their research.