Guy Cools Book order

Each person's grief is as unique as their fingerprint, yet everyone shares a fundamental need for their grief to be witnessed. The pandemic has heightened awareness of life's fragility and the necessity of mourning. Guy Cools, a dramaturg, has researched laments and mourning rituals, focusing on how emotions of loss must be externalized. Laments serve as formal devices across cultures to express and contain grief. Cools explores cultural habits, traditions, and artistic performances in a poetic and personal narrative. He examines various forms of laments—literary, anthropological, philosophical, and contemporary art practices. The latter sections investigate artistic strategies for embodying mourning, including dialogical approaches to personal losses and collective rituals that invite community engagement. Cools highlights contemporary laments that facilitate dialogue with the deceased and connect with loved ones separated by migration or exile. He also addresses a specific mourning process for the unrealized potential of a child's unlived life, including unborn children. Finally, he reflects on the emerging phenomenon of lamenting not only past losses but also the loss of future possibilities.

La 4e de couverture indique : "Imaginative Bodies' contains a series of in-depth conversations with dancers and choreographers, composers, visual artists, Hip Hop artists, dramaturgs, a lighting designer and a puppeteer. The overall theme is defined by the body, both in relation to the place it takes in the artist's work, and in relation to wider debates on the body in philosophy, science, medicine, anthropology, and the arts. Depending on the affinities of the artist, a more specific theme has been defined for each dialogue, ranging from poetics to politics, from mythology to ecology, from intercultural studies to conflict management. The associative chains of thoughts of these talks give an intimate insight into the creative process, inspirations, sources, identity, and ways of collaborating. It is through the sentient body that we experience, know and imagine. 'Imaginative Bodies' reaffirms the central position of the body in many artistic practices."

Within the arts there is a growing ethical consciousness, both in the way it relates to the larger social, political and economic challenges and in the way it reflects on its own production and distribution mechanisms. This book attempts to describe how artistic imagination can produce new situations, based on the potentials and limits of the individual 'body' within its environment. The first section, Ecosophy, focuses on eco-art practices and how the ethical turn in the arts implies a greater receptivity for the environment we live in. The second section, Caring for the Body, focuses more on dance and the renewed interest in 'the body', both on the level of the individual and on that of the larger 'body politic' of cooperation and collaboration.