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Mario Praz

    September 6, 1896 – March 23, 1982

    Mario Praz was a distinguished critic whose work delved into the aesthetic and morbid fascinations within European literature, particularly during the Romantic era. His seminal study meticulously surveyed the intertwined themes of eroticism and death that permeated the works of late 18th and 19th-century authors. Praz's approach was characterized by a deep engagement with artistic styles and the psychological undercurrents of his subjects, offering readers a compelling exploration of art and literature's darker currents. His legacy encompasses not only literary analysis but also insights into the history of art and interior decoration.

    The Romantic Agony
    Mnemosyne
    Conversation Pieces
    Unromantic Spain
    The Flaming Heart
    An Illustrated History of Interior Decoration from Pompeii to Art Nouveau
    • 2023

      The classic study of the timeless relationship between literature and the visual arts In his search for a common link between literature and the visual arts, Mario Praz draws on the abundant evidence of mutual understanding and correspondence they have long shared. Praz explains that within literature, each epoch has “its peculiar handwriting or handwritings, which, if one could interpret them, would reveal a character, even a physical appearance,” and while these characteristics belong to the general style of a given period, the personality of the writer does not fail to pierce through. Praz contends that something similar occurs in art. He shows how the likeness between the arts within various periods of history can ultimately be traced to structural similarities that arise out of the characteristic way in which the people of a certain epoch see and memorize facts aesthetically. Mnemosyne, at once the goddess of memory and the mother of the muses, presides over this view of the arts. In illustrating her influence, Praz ranges widely through Western sources, providing an incomparable tour of the literary and pictorial arts.

      Mnemosyne
    • 1981
    • 1973

      The Flaming Heart

      Essays on Crashaw, Machiavelli, and Other Studies in the Relations Between Italian and English Literature from Chaucer to T. S. Eliot

      • 390 pages
      • 14 hours of reading

      From the time of Chaucer to the present we follow the sense of Italy and Italian thought and imagination which has directed and enlivened the works of major English writers—Chaucer, Spenser, Shakespeare, Jonson, the Elizabethan dramatists, Donne, Crashaw, and the Brownings among them.

      The Flaming Heart
    • 1970

      Mnemosyne

      The Parallel between Literature and the Visual Arts

      Mnemosyne
    • 1969