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Amanda Smyth

    Amanda Smyth explores the intricate connections between history, memory, and identity, often focusing on island life and postcolonial themes. Her prose is characterized by a sensory richness and lyrical quality that draws readers into vividly rendered worlds. Through a keen examination of human relationships and the power of place, Smyth crafts narratives that are both deeply personal and universally resonant. Her ability to capture the nuances of the human experience makes her writing compelling and memorable.

    Das Hibiskusmädchen
    Fortune
    • Eddie Wade has recently returned from the US oilfields. He is determined to sink his own well and make his fortune in the 1920s Trinidad oil-rush. His sights are set on Sonny Chatterjee's failing cocoa estate, Kushi, where the ground is so full of oil you can put a stick in the ground and see it bubble up. When a fortuitous meeting with businessman Tito Fernandez brings Eddie the investor he desperately needs, the three men enter into a partnership. A friendship between Tito and Eddie begins that will change their lives forever, not least when the oil starts gushing. But their partnership also brings Eddie into contact with Ada, Tito's beautiful wife, and as much as they try, they cannot avoid the attraction they feel for each other. Fortune, based on true events, catches Trinidad at a moment of historical change whose consequences reverberate down to present concerns with climate change and environmental destruction. As a story of love and ambition, its focus is on individuals so enmeshed in their desires that they blindly enter the territory of classic Greek tragedy where actions always have consequences.

      Fortune
    • Das Waisenmädchen Celia wächst im Haus ihrer Tante Tassi in der Karibik auf, zusammen mit ihren Kusinen und Tassis zweitem Mann Roman. Jeder im Dorf weiß, dass Roman nichts taugt. Für Celia ist er schlicht der Teufel. Um seinen Nachstellungen zu entfliehen, nimmt sie eines nachts all ihren Mut zusammen und setzt - nicht wissend, was sie erwartet - mit dem Schiff über nach Trinidad. In dem imposanten Kolonialhaus eines Arztes findet sie Anstellung als Hausmädchen. Endlich scheint für sie ein neues, aufregendes Leben zu beginnen.

      Das Hibiskusmädchen