Howard Owen delves into the complexities of human psychology and the enduring impact of the past on the present. His novels, often set against the backdrop of the American South, explore profound themes of guilt, redemption, and intricate family dynamics. With a keen eye for detail and a sharp insight into human frailties, Owen crafts characters who are as flawed as they are unforgettable. His prose, both raw and lyrical, draws readers into narratives where crime and personal drama intertwine with an inescapable force.
The plot unfolds in Dogtown, where the brutal murder of a seemingly harmless blue-collar worker raises alarm among residents. The mystery deepens when an elderly couple is also found dead in their upscale home shortly after. As the protagonist, Willie Black, investigates these shocking events, he begins to suspect a sinister connection between the two killings, challenging the notion of safety in his community and unraveling hidden truths.
The River City emerges as a hub for gritty noir, featuring brand-new stories from a diverse array of authors. The introduction reflects on Richmond, Virginia, highlighting its complex history marked by deception, conspiracy, and violence. Henry Miller's sardonic remark about preferring to die in Richmond underscores the city's dual nature. Today, Richmond is a blend of elegance and brutality—home to winter balls and garden parties, yet also notorious for crime and drug activity. The city boasts prestigious ad agencies and law firms, alongside a rich tapestry of residents, from the First Families of Virginia to immigrants from various backgrounds. Richmond's social fabric includes strict manners and a sense of neighborliness, but also an underlying tension that cautions against road rage. This juxtaposition of charm and danger creates a fertile ground for noir storytelling, making Richmond a compelling backdrop for tales of moral ambiguity and human complexity.