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Klester Cavalcanti

    Klester Cavalcanti is celebrated as a preeminent Brazilian investigative journalist, whose works delve deeply into the pressing issues of contemporary Brazil. His reports and books expose and critique subjects ranging from the destruction of the Amazon to the realities of modern-day slavery, establishing him as a vital voice in Brazilian literature. Cavalcanti's writing is distinguished by its rigorous research and its courageous confrontation of uncomfortable truths, earning him significant critical and public acclaim.

    Der Pistoleiro
    The Name Of Death
    • 2018

      The Name Of Death

      • 238 pages
      • 9 hours of reading
      3.3(18)Add rating

      The powerful true-life story of a Brazilian boy who could have been a fisherman but instead became the biggest professional killer known to the world-soon to be a major motion picture. Julio Santana as seen through the eyes of acclaimed investigative reporter Klester Cavalcanti is not a monster-he is a loyal son, a family man, a devout Christian who is tormented by his conscience with every shot. But in a cruel and lawless area of Brazil, where every life has its price, respect for life is a luxury that he can't afford. Trained by his uncle, an assassin, and initiated in murder at 17 years of age, Santana proved to be a natural. Without moralizing about mass murderer, The Name of Death attempts to show how such a career can be not so very different from other ordinary working lives. The portrait that emerges in this riveting narrative, based on seven years of phone conversations between Cavalcanti and Santana, is not only that of a man but also that of a country. Describing in detail only a handful of the almost 500 murders Santana carried out, Cavalcanti reveals just how lawless much of the interior of Brazil has been for the past 50 years. The state, the police, and the security forces play almost no part in establishing the rule of law-except when they are suppressing the guerrilla threat of the early 1970s. Cavalcanti shows just how easy it is for a boy like Julio to take the law into his own hands, and what a wild place Brazil has been and in many ways continues to be

      The Name Of Death