Edward Abbey Book order

Few have cared more about American wilderness than the irascible Cactus Ed. Author of eco-classics such as The Monkey Wrench Gang and Desert Solitaire, Edward Abbey reveals all his rough-hewn edges and passionate beliefs in this witty, outspoken, maddening, and sometimes brilliant selection of journal entries that takes the writer from his early years as a park ranger and would-be literary author up to his death in 1989. This new edition features an interview in which Abbey speaks candidly about his own work, his approach to writing, and his writing mechanics as well. Also included is a detailed index and original sketches made by Abbey himself.

Désert du Nouveau-Mexique, 1950. Jack Burns, cow-boy solitaire en rupture avec le monde moderne, chevauche son Appaloosa, vit de petits boulots et dort à la belle étoile. Lorsqu'il apprend que son ami Paul vient d'être incarcéré, il descend dans la vallée pour l'aider à s'évader. Mais son amour de la liberté n'est pas du goût de tout le monde. Une chasse à l'homme s'engage bientôt aussi absurde qu'impitoyable...

Edward Abbey was a hero to environmentalists and rebels of every stripe. With Fire on the Mountain, this literary giant of the New West gave readers a powerful, moving, and enduring tale that gloriously celebrates the undying spirit of American individualism. This fiftieth anniversary edition, with an introduction by historian Douglas Brinkley, reminds readers of Abbey's powerful conviction that "a patriot must always be ready to defend his country against his government." John Vogelin's land is his life—a barren stretch of New Mexican wilderness mercifully bypassed by civilization. Then the government moves in. And suddenly the elderly, mule-stubborn rancher is confronting the combined land-grabbing greed of the county sheriff, the Department of the Interior, the Atomic Energy Commission, and the U.S. Air Force. But a tough old man is like a mountain lion: if you back him into a corner, he'll come out fighting.

Edward Abbey's first love was to write fiction, and as so many of his friends pointed out, Black Sun was his own personal favorite book. It contains some of his most lyrical writing, and it is unusually gentle and introspective for him.

Henry Lightcap, a man facing a terminal illness, sets out on a trip across America accompanied only by his dog, Solstice, and discovers the beauty and majesty of the Southwest.

The Brave Cowboy Jack Burnes is a loner at odds with modern civilization. A man out of time, he rides a feisty chestnut mare across the New West -- a once beautiful land smothered beneanth airstrips and superhighways. And he lives by a personal code of ethics that sets him on a collision course with the keepers of law and order. Now he has stepped over the line by breaking one too many of society's rulus. The hounds of justice are hot in his trail. But Burnes would rather die than spend even a single night behind bars. And they have to catch him first.

Down the River is a collection of essays both timeless and timely. It is an exploration of the abiding beauty of some of the last great stretches of American wilderness on voyages down rivers where the body and mind float free, and the grandeur of nature gives rise to meditations on everything from the life of Henry David Thoreau to the militarization of the open range. At the same time, it is an impassioned condemnation of what is being done to our natural heritage in the name of progress, profit, and security. Filled with fiery dawns, wild and shining rivers, and radiant sandstone canyons, it is charged as well with heartfelt, rampageous rage at human greed, blindness, and folly. It is, in short, Edward Abbey at his best, where and when we need him most.

The Journey Home ranges from the surreal cityscapes of Hoboken and Manhattan to the solitary splendor of the deserts and mountains of the Southwest. It is alive with ranchers, dam builders, kissing bugs, and mountain lions. In a voice edged with chagrin, Edward Abbey offers a portrait of the American West that we’ll not soon forget, offering us the observations of a man who left the urban world behind to think about the natural world and the myths buried therein. Abbey, our foremost “ecological philosopher,” has a voice like no other. He can be wildly funny, ferociously acerbic, and unexpectedly moving as he ardently champions our natural wilderness and castigates those who would ravish it for the perverse pleasure of profit.

In Good News, Edward Abbey's acclaimed underground classic, the West is wild again. American civilization as the twentieth century knew it has crumbled. In the great Southwest, a new breed or settler, white and Indians together, is creating a new way of life in the wilderness - a pastoral economy - with skills and savvy resurrected from the pre-industrial past. Meanwhile, in a last surviving bastion of urban life, the remnats of the power elite are girding their armed forces to reimpose the old order. This is a land of horses and motorcycles, high-tech weaponry and primitive courage, and the struggle for the American future is mounting in intensity. No quarter is asked or given, and the outcome hangs in perilous balance against a background of magnificent nature and eternal human verities.

Ed Abbey called The Monkey Wrench Gang, his 1975 novel, a "comic extravaganza." Some readers have remarked that the book is more a comic book than a real novel, and it's true that reading this incendiary call to protect the American wilderness requires more than a little of the old willing suspension of disbelief.The story centers on Vietnam veteran George Washington Hayduke III, who returns to the desert to find his beloved canyons and rivers threatened by industrial development. On a rafting trip down the Colorado River, Hayduke joins forces with feminist saboteur Bonnie Abbzug, wilderness guide Seldom Seen Smith, and billboard torcher Doc Sarvis, M.D., and together they wander off to wage war on the big yellow machines, on dam builders and road builders and strip miners. As they do, his characters voice Abbey's concerns about wilderness preservation ("Hell of a place to lose a cow," Smith thinks to himself while roaming through the canyonlands of southern Utah. "Hell of a place to lose your heart. Hell of a place... to lose. Period").Moving from one improbable situation to the next, packing more adventure into the space of a few weeks than most real people do in a lifetime, the motley gang puts fear into the hearts of their enemies, laughing all the while. It's comic, yes, and required reading for anyone who has come to love the desert.