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Clancy Martin

    Clancy Martin's work delves into nineteenth-century philosophy, existentialism, moral psychology, and applied ethics. His incisive essays explore complex questions of human existence with a unique perspective that blends academic rigor with broad reader appeal. Martin's prose is characterized by profound contemplation and an ability to make intricate ideas accessible.

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    Murder at the Supreme Court
    How Not to Kill Yourself
    • An intimate, insightful, at times even humorous exploration of why the thought of death is so compulsive for some while demonstrating that there’s always another solution—from the acclaimed writer and professor of philosophy, based on his viral essay, “I’m Still Here.”“A rock for people who’ve been troubled by suicidal ideation, or have someone in their lives who is.” — The New York Times“If you’re going to write a book about suicide, you have to be willing to say the true things, the scary things, the humiliating things. Because everybody who is being honest with themselves knows at least a little bit about the subject. If you lie or if you fudge, the reader will know.”The last time Clancy Martin tried to kill himself was in his basement with a dog leash. It was one of over ten attempts throughout the course of his life. But he didn’t die, and like many who consider taking their own lives, he hid the attempt from his wife, family, coworkers, and students, slipping back into his daily life with a hoarse voice, a raw neck, and series of vague explanations.In How Not to Kill Yourself, Martin chronicles his multiple suicide attempts in an intimate depiction of the mindset of someone obsessed with self-destruction. He argues that, for the vast majority of suicides, an attempt does not just come out of the blue, nor is it merely a violent reaction to a particular crisis or failure, but is the culmination of a host of long-standing issues. He also looks at the thinking of a number of great writers who have attempted suicide and detailed their experiences (such as David Foster Wallace, Yiyun Li, Akutagawa, Nelly Arcan, and others), at what the history of philosophy has to say both for and against suicide, and at the experiences of those who have reached out to him across the years to share their own struggles.The result combines memoir with critical inquiry to powerfully give voice to what for many has long been incomprehensible, while showing those presently grappling with suicidal thoughts that they are not alone, and that the desire to kill oneself—like other self-destructive desires—is almost always temporary and avoidable.

      How Not to Kill Yourself
    • True-life reporting on vicious criminals and the haphazard system that punishes them. Veteran journalists pull back the curtain of secrecy that surrounds Supreme Court deliberations but also reveal the crucial links between landmark capital- punishment cases and the lethal crimes at their root.

      Murder at the Supreme Court
    • Bobby Clark ist sechzehn, als er in Calgary von der Highschool fliegt, nachdem er eine Schachtel Siegelringe gestohlen hat. Kurz entschlossen folgt er seinem Bruder Jim in die USA nach Dallas, wo Jim im Uhren- und Schmuckbusiness erfolgreich ist. Dank ihm findet Bobby schnell einen Job und entwickelt sich zu einem der besten Verkäufer der Branche. Skrupellos zieht er Kunden über den Tisch, macht große Diamantendeals und verkauft gefälschte Rolexe an zwielichtige Mittelsmänner. Sein Mentor, Mike Bloom, ein ruhiger Mann mit dem Aussehen eines chinesischen Kaisers, bringt ihm bei, dass Uhren für Männer von Bedeutung sind und was ihren Reiz ausmacht. „Die Zeit, Bobby. Eine Uhr erinnert uns an unseren Platz im Universum.“ Bobby steht unter Druck: Seine Frau erwartet ein Kind, er hat eine Affäre mit Jims Freundin Lisa, und eine andere Frau hat ihn in Schwierigkeiten gebracht. Es ist zwei Tage vor Weihnachten, und er steht vor einem seiner größten Abschlüsse. Die Geschichte beleuchtet die Erziehung eines jungen Mannes in den Leidenschaften von Geld und Liebe. Clancy Martin zeichnet die flüchtigen Momente des vermeintlichen Luxus und nutzt sie als Metapher für die verzweifelte Suche nach dauerhaftem Glück.

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