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N. D. Wilson

    January 1, 1978
    N. D. Wilson
    Right Behind
    Hello, Ninja
    100 Cupboards
    Notes from the tilt-a-whirl
    The Sword of Abram
    Empire of Bones (Ashtown Burials #3)
    • 2020
    • 2019

      Hello, Ninja

      • 32 pages
      • 2 hours of reading
      3.8(92)Add rating

      Soon to be a Netflix animated TV series! Are you longing for adventure? Mischief? What about sandwiches? Tag along with one sneaky ninja who is happy to share his busy day (but not his lunch) with curious kids everywhere in this rhyming picture book great for fans of The Three Ninja Pigs and 10 Little Ninjas. Written by bestselling author Nate "N.D." Wilson and gorgeously illustrated by newcomer Forrest Dickison. Perfect for reading aloud and shared story time!

      Hello, Ninja
    • 2014

      The Sword of Abram

      • 30 pages
      • 2 hours of reading
      4.5(34)Add rating

      Get ready to step into a world of shepherds and rebel kings, kidnapping and faithfulness, chariot dust and slime pits, vision and belief -- it all comes to life in the vividly illustrated Sword of Abram. N.D. Wilson and Forrest Dickison tell the story of our father in the Christian faith with wild realism that brings new depth to old truths. Ages 5 and up.

      The Sword of Abram
    • 2014

      Empire of Bones (Ashtown Burials #3)

      • 464 pages
      • 17 hours of reading
      4.6(40)Add rating

      Set against a backdrop of lost civilizations and ancient secrets, this thrilling installment of the Ashtown Burials series promises an action-packed adventure filled with buried treasure. Readers can expect a blend of mythology and exploration that will engage fans of both Percy Jackson and Indiana Jones, as the characters navigate challenges and uncover mysteries in a richly imagined world.

      Empire of Bones (Ashtown Burials #3)
    • 2009

      What is this World? What kind of place is it? ôThe round kind. The spinning kind. The moist kind. The inhabited kind. The kind with flamingos (real and artificial). The kind where water in the sky turns into beautifully symmetrical crystal flakes sculpted by artists unable to stop themselves (in both design and quantity). The kind of place with tiny, powerfully jawed mites assigned to the carpets to eat my dead skin as it flakes off . . . The kind with people who kill and people who love and people who do both . . . This world is beautiful but badly broken. ôI love it as it is, because it is a story, and it isnÆt stuck in one place. It is full of conflict and darkness like every good story, a world of surprises and questions to explore. And thereÆs someone behind it; there are uncomfortable answers to the hows and whys and whats. In the beginning was the Word, and the Word was with God, and the Word was God. Through Him were all things made . . . Welcome to His poem. His play. His novel. Let the pages flick your thumbs.ö

      Notes from the tilt-a-whirl
    • 2007

      100 Cupboards

      • 312 pages
      • 11 hours of reading
      3.8(16360)Add rating

      After his parents are kidnapped, timid twelve-year-old Henry York leaves his sheltered Boston life and moves to small-town Kansas, where he and his cousin Henrietta discover and explore hidden doors in his attic room that seem to open onto other worlds.

      100 Cupboards
    • 2001

      LaHaye and Jenkins' best-selling apocalyptic fiction novel, Left Behind, is already so ridiculous that it's hard to make a parody of it. Yet the conservative Christian author, Nathan Wilson, bravely sets forth to push it over the top. Tweaked versions of all the original characters work together in an absurd tangle of Evangelical goofiness struggling to make sense of the pathetically gnostic vision of the original story. You won't want to miss all body parts, cats, and youth pastors left behind, Buff Williamson's Ivy League deductions, Haddie the Whore of Babylon, or the climactic struggle with the Tulsa Antichrist in a Christian "book store." If you regret reading Left Behind, read Right Behind to ease that pain with laughter.

      Right Behind