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William Martin Russell

    August 23, 1947

    Willy Russell is a British dramatist, lyricist, and composer whose works delve into themes of identity, ambition, and societal constraints. Through his compelling characters overcoming obstacles, Russell explores the human potential for change and growth. His plays and musicals are characterized by keen observations of everyday life and sharp wit, ensuring their enduring appeal to audiences worldwide. His writing often embodies his philosophy that anyone is capable of transformation, regardless of their circumstances.

    Our Day Out
    Educating Rita
    Blood brothers
    Shirley Valentine
    The Wrong Boy
    Letts Explore Educating Rita
    • Letts Explore Educating Rita

      • 64 pages
      • 3 hours of reading

      One of a series of literature guides for GCSE students, this book focuses on Willie Russell's "Educating Rita". It aims to develop the skills and techniques required for coursework and exams, and also to encourage an exploratory reading of the text under discussion.

      Letts Explore Educating Rita
    • The Wrong Boy

      • 411 pages
      • 15 hours of reading
      4.1(1422)Add rating

      The extraordinary first novel from the prize-winning and internationally acclaimed playwright and creator of "Shirley Valentine" and" Educating Rita," In Raymond Marks, he brings us another unforgettable character. Raymond Marks is a normal boy, from a normal family, in a normal northern town. His dad left home after falling in love with a five-string banjo; his fun-hating grandma believes she should have married Jean-Paul Sartre: " I could never read his books, but y' could tell from his picture, there was nothing frivolous about Jean-Paul Sartre." Felonious Uncle Jason and appalling Aunty Paula are lusting after the satellite dish; frogs are flattened on Failsworth Boulevard; and Sickening Sonia's being sick in the majestic cathedral of words. Raymond Marks is a normal boy, from a normal family, in a normal northern town. Until, on the banks of the Rochdale Canal, the fly-trapping craze begins and, for Raymond and his ' Mam', nothing will ever be normal again.

      The Wrong Boy
    • Shirley Valentine

      One for the road.

      • 112 pages
      • 4 hours of reading
      4.0(24)Add rating

      Part of the "Modern plays" series aimed at the burgeoning readership of young theatregoers, this title and five others are reissued, representing the range and vitality of the list of 170 titles in print .

      Shirley Valentine
    • Blood brothers

      • 78 pages
      • 3 hours of reading
      3.8(5519)Add rating

      This is a fast-moving, perceptive and entertaining work, which is funny yet ultimately tragic. It tells the tale of twin brothers, born into a large working-class family and the consequences of one of them being adopted by a neighbouring middle-class family.

      Blood brothers
    • The tale of a boozily burnt-out professor and his newest student - a free-spirited hairdresser who thinks that Macbeth is the guy who runs the local pub.

      Educating Rita
    • Our Day Out

      • 66 pages
      • 3 hours of reading
      3.3(566)Add rating

      The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. The television play Our Day Out asks what can a group of back-street kids from Liverpool expect from life beyond a rare day out?

      Our Day Out
    • The Game of Life

      • 276 pages
      • 10 hours of reading

      This reprint offers readers a chance to explore a classic work originally published in 1857, preserving the historical context and literary significance of the era. The text reflects the themes and societal issues of its time, providing valuable insights into the cultural landscape of the 19th century. Readers can expect an authentic experience of the language and style used by the author, making it a noteworthy addition for those interested in historical literature.

      The Game of Life
    • The book explores the emergence of English literary criticism at the turn of the seventeenth century, highlighting the contributions of figures like Philip Sidney, George Puttenham, and Ben Jonson. It examines their complex relationship with the role of the critic, revealing their fears of misunderstanding and marginalization. Rather than merely adopting existing frameworks from Europe, these critics actively shaped their own practices in response to various social and intellectual influences, marking a significant moment in the evolution of critical discourse.

      Inventing the Critic in Renaissance England