Paul Badde Book order

Best-selling journalist, historian and author Paul Badde embarks on an exciting quest to discover the truth behind the Holy Face of Manoppello, a relic recently rediscovered and rumored to be the "veil of Veronica". Vatican correspondent for German newspaper Die Welt, journalist Paul Badde was intrigued when he heard of a mysterious image in a remote Italian village, an image of a man's face on byssus cloth. Byssus, or sea silk, is a rare and delicate fabric woven from a silky filament produced by mollusks. It is claimed that the fabric is so thin and delicate that it is impossible to paint on, yet the image in Manoppello is clearly visible and, moreover, when laid over the image of the face on the Shroud of Turin forms a perfect match. Experts determined that the cloth of Manoppello is not Veronica's veil, but rather the face cloth layed over the face of Jesus in the tomb. Unlike the Shroud of Turin, which is a "negative" of the image, the image on the face cloth is a "positive" of the face of Christ. Paul Badde takes the reader along on a thrilling journey of discovery as he travels to research this remarkable relic, tracing the turbulent history of the Holy Face from ancient times up to the historic 2006 visit to Manoppello by Pope Benedict XVI. Illustrated with 16 pages of color photos.

"Best-selling journalist, historian and author Paul Badde embarks on an exciting quest to discover the truth behind the Holy Face of Manoppello, a relic recently rediscovered and rumored to be the veil of Veronica...Badde was intrigued when he heard of a mysterious image in a remote Italian village--an image of a man's face on byssus cloth. Byssus, or sea silk, is a rare and delicate fabric woven from a silky filament produced by mollusks. It is claimed that the fabric is so thin and delicate that it is impossible to paint on--yet the image in Manoppello is clearly visible, and when laid over the image of the face on the Shroud of Turin, forms a perfect match..."--Dust cover flap.

Set in 1531 Mexico, the story follows Juan Diego, a native who encounters a divine figure claiming to be "Mary, mother of all men." This celestial being delivers important messages to him and ultimately leaves her miraculous portrait on his tilma. The image features a young woman adorned in a rose-patterned dress and a starry mantle, symbolizing hope and faith during a tumultuous period following the Spanish conquest. The narrative intertwines themes of spirituality and cultural identity, highlighting a pivotal moment in history.