"Léon Bonvin (1834-1866) never enjoyed the same notoriety as his half-brother, Franc̦ois (1817-1887), who was a well-regarded realist painter in the nineteenth century. The few sources that have come down to us convey the image of a misunderstood and ill-fated artist -- before his memory disappeared almost completely from view. In order to make a living, Léon Bonvin was obliged to take over his father's inn in Vaugirard. There he painted watercolours far from the gaze of the Parisian artistic and cultural milieu. He found his subjects in his immediate environment: bunches of wild flowers, still lifes, views of the still rural and working-class plain on the outskirts of Paris. The sincerity with which he depicted the reality of his everyday existence led him to an art of singular poetry. This catalogue raisonné of his work is introduced by a series of essays, the outcome of intensive research that sheds new light on the life and art of Léon Bonvin. The volume includes all of the currently known works by the artist, which are scattered throughout public and private collections, mainly in the United States of America and France. Among these are many which have never been published before." --back cover
Ger Luijten Book order


- 2022
- 2004
The Dutch master Rembrandt van Rijn (1606-1669) was one of the greatest draftsman of all time. Even small and quick sketches reveal his incomparable skill in capturing compositions, figures, groups, human gestures, facial expressions and landscapes with just a few strokes. Although some of Rembrandt's drawings served as preparatory studies for paintings and etchings, most are conceptual works in which he investigated motifs of movement and expression, recording ideas for his own works and those produced by pupils in his studio. Encompassing works from Rembrandt's entire career, this compact and exquisitely produced monograph presents the full spectrum of the genres and materials used in the drawings. In addition, recent scholarship has revealed that many drawings once attributed to Rembrandt were in fact done by his pupils. Of the 126 drawings in the important Berlin collection from which this volume draws its illustrations, only 55 are still considered original works by the master. Each of these is presented here within a scholarly text by Holm Bevers. As well, a selection of 25 drawings by Rembrandt's pupils is examined in light of the most recent research.