When the tomb of St. Tancred is opened at a village church in Bishop's Lacey, its shocking contents lead to another case for Flavia de Luce, where greed, pride and murder result in old secrets coming to light, along with a forgotten flower that hasn't been seen for half a thousand years.
On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office—and making spectacular use of Harriet’s beloved Gipsy Moth plane, Blithe Spirit—Flavia will do anything, even take to the skies, to land a killer.
NEW YORK TIMES BESTSELLER - Alan Bradley, author of the most award-winning series debut of any year, returns with another irresistible Flavia de Luce novel. In the hamlet of Bishop’s Lacey, the insidiously clever and unflappable eleven-year-old sleuth Flavia de Luce had asked a Gypsy woman to tell her fortune—never expecting to later stumble across the poor soul, bludgeoned almost to death in the wee hours in her own caravan. Was this an act of retribution by those convinced that the soothsayer abducted a local child years ago? Certainly Flavia understands the bliss of settling scores; revenge is a delightful pastime when one has two odious older sisters. But how could this crime be connected to the missing baby? As the red herrings pile up, Flavia must sort through clues fishy and foul to untangle dark deeds and dangerous secrets.
"Colonel de Luce, in desperate need of funds, rents his beloved estate of Buckshaw over to a film company. They will be shooting a movie over the Christmas holidays, filming scenes in the stately manse with a famous and reclusive star. She is widely despised, so it is to no one's surprise when she turns up murdered, strangled by a length of film from her own movies! With the snow raging outside and Buckshaw locked in, the house is full of suspects. But Flavia de Luce is more than ready to solve the wintry country-house murder. She'll have to be quick-witted, though, to negotiate the volatile chemicals of a cast and crew starting to crack--and locked in a house with a murderer!"--Provided by publisher
Flavia de Luce thinks that her days of crime-solving in the bucolic English hamlet of Bishop's Lacey are over-until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity.
Mystery fans seeking novels of wit, an immersive English countryside setting, and rich characterizations will be rewarded with this newest entry in the award-winning series. - Library Journal (starred review) There is such a thing as willing suspension of disbelief brought on by sheer outlandish charm, and that's what [Alan] Bradley and some delicious writing have tapped. - London Free Press Flavia's first-person narration reveals her precocious intellect as well as her youthful vulnerability. - Shelf Awareness Flavia is once again a fun, science-loving protagonist. . . . This series entry ends on a note that begs for the next story. - Library Reads An eleven-year-old prodigy with an astonishing mind for chemistry and a particular interest in poisons. - The Strand Magazine (Five of the Best Historical Heroines) Bradley's preteen heroine comes through in the end with a series of deductions so clever she wants to hug herself. So will you. - Kirkus Reviews From the Hardcover edition.
Advance praise for The Grave's a Fine and Private Place Outstanding . . . As usual, Bradley makes his improbable series conceit work and relieves the plot's inherent darkness with clever humor.-Publishers Weekly (starred review) There's only one Flavia. . . . Series fans will anticipate the details of this investigation, along with one last taste of Flavia's unorthodox family life.-Library Journal (starred review) Fans of the precocious sleuth who share her unapologetically enthusiastic sense that 'an unexamined corpse was a tale untold' will rub their hands gleefully, confident that her resolution will unleash a dazzling barrage of innocent-seeming questions, recherché chemical and pharmacological tidbits, fibs and whoppers, and the most coyly bratty behavior outside the pages of Kay Thompson's chronicles of Eloise. . . . Bradley's unquenchable heroine brings 'the most complicated case I had ever come across' to a highly satisfying conclusion, with the promise of still brighter days ahead.-Kirkus Reviews Acclaim for Alan Bradley's beloved Flavia de Luce novels, winners of the Crime Writers' Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Award, and Arthur Ellis Award If ever there were a sleuth who's bold, brilliant, and, yes, adorable, it's Flavia de Luce.-USA Today Delightful . . . a combination of Eloise and Sherlock Holmes.-The Boston Globe [Flavia] is as addictive as dark chocolate.-Daily Mail Flavia de Luce is still the world's greatest adolescent British chemist/busybody/sleuth.-The Seattle Times
"Flavia rules! In this New York Times bestselling series of enchanting mysteries, youthful chemist and aspiring detective Flavia de Luce once again brings her knowledge of poisons and her indefatigable spirit to solve dastardly crimes -- but this time, she leaves behind her beloved English countryside, and takes her sleuthing prowess to the unexpectedly unsavory world of Canadian boarding schools!"-- Provided by publisher
Although it is autumn in the small English town of Bishop's Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce's sister Ophelia is at last getting hitched, like a mule to a wagon. A church is a wonderful place for a wedding, muses Flavia, surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar. Flavia is not your normal twelve-year-old girl. An expert in the chemical nature of poisons, she has solved many mysteries, which has sharpened her considerable detection skills to the point where she had little choice but to turn professional. So Flavia and dependable Dogger, estate gardener and sounding board extraordinaire, set up shop at the once-grand mansion of Buckshaw, eager to serve--not so simple an endeavor with her odious, little moon-faced cousin, Undine, constantly underfoot. But Flavia and Dogger persevere. Little does she know that their first case will be extremely close to home, beginning with an unwelcome discovery in Ophelia's wedding cake: a human finger.
It is the summer of 1950 - and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds an man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begings in earnest when murder comes to Buckshaw. "This was by far the most interesting thing that had ever happened to me in my entire life."
