Carlos Fuentes was a towering figure in Latin American literature, renowned as a novelist and essayist whose work profoundly shaped the literary landscape of the Spanish-speaking world. He possessed a remarkable ability to weave intricate narratives that explored the complexities of Mexican identity, history, and social dynamics. Fuentes's prose is characterized by its intellectual rigor and stylistic elegance, offering readers deep insights into the human condition. His influential voice continues to resonate, cementing his legacy as one of the most significant literary minds of the 20th century.
Set in South America between 1810 and 1830 - a time when Chile, Argentina, Peru and Mexico were all shaken by brutal revolutions to throw off Spanish rule. The narrator of the story is Manuel Varele who, with his friends, spend hours in the coffee houses. By the winner of the Romula Gallegos Prize.
Most beautiful book ever about Mexico. 150 aerial color photos. 145,000 sold.
Mexican artist Frida Kahlo (1907-1954) remains a compelling force in the art world. This facsimile of her remarkable diary reveals the passion and enormous strength of the last ten years of her anguished life. 338 illustrations, 167 in color.
Perhaps the most ambitious novel from one of Mexico's greatest writers, the narrative covers 20 centuries of European and American culture, and prominently features the construction of El Escorial by Philip II. The title is Latin for "Our earth". Modeled on James Joyce's Finnegans Wake, Terra Nostra shifts unpredictably between the sixteenth century and the twentieth, seeking the roots of contemporary Latin American society in the struggle between the conquistadors and indigenous Americans. -Terra Nostra is the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say.- Milan Kundera
"In this deeply personal book, the internationally renowned Mexican writer Carlos Fuentes steps back to survey the wellsprings of art and ideology, the events that have shaped our time, and his extraordinary life and fiercest passions." Arranged alphabetically from "Amore" to "Zurich," This I Believe takes us on an inner journey with a great writer. Fuentes ranges wide, from contradictions inherent in Latin American culture and politics to his long friendship with director Luis Bunuel. Along the way, we find reflections on the mixed curse and blessing of globalization; memories of a sexual initiation in Zurich; a fond tracing of a family tree heavy with poets, dreamers, and diplomats; evocations of the streets, cafes, and bedrooms of Washington, Paris, Santiago de Chile, Cambridge, Oaxaca, and New York; and a celebration of literary heroes including Balzac, Cervantes, Faulkner, Kafka, and Shakespeare.
Hailed as a masterpiece since its publication in 1962, The Death of Artemio Cruz is Carlos Fuentes's haunting voyage into the soul of modern Mexico. Its acknowledged place in Latin American fiction and its appeal to a fresh generation of readers have warranted this new translation by Alfred Mac Adam, translator (with the author) of Fuentes's Christopher Unborn.As in all his fiction, but perhaps most powerfully in this book, Fuentes is a passionate guide to the ironies of Mexican history, the burden of its past, and the anguish of its present.
The intimate life of artist Frida Kahlo is wonderfully revealed in the illustrated journal she kept during her last 10 years. This passionate and at times surprising record contains the artist's thoughts, poems, and dreams; many reflecting her stormy relationship with her husband, artist Diego Rivera, along with 70 mesmerising watercolour illustrations. The text entries in brightly coloured inks make the journal as captivating to look at as it is to read. Her writing reveals the artist's political sensibilities, recollections of her childhood, and her enormous courage in the face of more than thirty-five operations to correct injuries she had sustained in an accident at the age of eighteen.
On a hot, insomniac night at the Hotel Metropol, the novelist Carlos Fuentes steps onto his balcony only to find another man on the balcony next door. The other man asks for news of the social strife turning into revolution in the unnamed city below them. He reveals himself as the 19th-century philosopher Friedrich Nietzsche, permitted to revisit earth once a year for 24 hours based on his theory of eternal return. With tenderness and gallows humor, the novelist and the philosopher unflinchingly tell the story of the beginning of the revolution, its triumph, fanaticism, terror, and retrenchment: a story of love, friendship, family, commitment, passion, corruption, betrayal, violence, and hope.
Translated from the Spanish by Alfred MacAdam A radiant, epic new novel, 'like a mural...a complex mosaic of national and personal history' Laura Esquivel
A magical story of love and art, life and death.
