Mary Renault Books

In her inventive novels set in ancient Greece, Mary Renault crafts a compelling narrative from the myth of Theseus, creating a flawed hero and a plausible account of the Labyrinth and the Minotaur. The story follows young Theseus from his mysterious birth and insecurities about his size to his growing strength and belief in his destiny. As a teenager, he embarks on a journey to meet his father, the King of Athens, but faces unexpected challenges, including a forced stay in the matriarchal society of Eleusis and his participation in a tribute of Athenian youths sent to be sacrificed to a bull-worshipping cult in Crete. Trapped in King Minos's labyrinthine palace, Theseus teams up with high priestess Ariadne to devise a daring escape plan for the Athenians. The sequel begins with Theseus's return to Athens, where he discovers his father's death and his new role as king. However, his confidence in his destiny is tested by future encounters, including a life-altering meeting with Hippolyta, queen of the Amazons, the birth of a son who seeks his own path, and the tragic consequences of his wife Phaedra's betrayal. Renault combines her deep understanding of ancient Greek culture with imaginative speculation, bringing legendary heroes and monsters to life.

The Persian Boy traces the last years of Alexander’s life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas was sold as a courtesan to King Darius of Persia, but found freedom with Alexander after the Macedon army conquered his homeland.Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes-mutinous army, and his own ferocious temper. After Alexander’s mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.

The acclaimed biography of Alexander the Great.

“Written with her usual vigor and imagination...Mary Renault has a great talent.”– The New York Times Book Review Alexander’s beauty, strength, and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son’s loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle’s tutoring provoked his mind and Homer’s Iliad fueled his aspirations. Killing his first man in battle at the age of twelve, he became regent at sixteen and commander of Macedon’s cavalry at eighteen, so that by the time his father was murdered, Alexander’s skills had grown to match his fiery ambition.

Few events in his early years had prepared Laurie Odell for that day in the veterans’ hospital when he first met Andrew Raynes. Laurie, who was recovering from wounds sustained at Dunkirk, had seen a bit of life, but the moment he met Andrew was unique for him – it was a moment that provided clarity and logic for the many things that he vaguely knew about himself but had never fully understood. With Andrew everything became right – love entered Laurie’s life and with it, finally, a sense of self. But with this discovery began Laurie’s difficult journey between two communities – that of the soldier and that of the gay man – and the delicate task of navigating the precarious waters that flow between them. In The Charioteer Ms. Renault has created a stunning work of historical fiction that is as fresh as today’s headlines. This is a novel that thoroughly succeeds in illuminating the world around us.

As Funeral Games opens, Alexander the Great lies dying. Around his body gather the generals, the provincial satraps and the royal wives, already competing for the prizes of power and land. Only Bagoas, the Persian boy mourning in the shadows, wants nothing. Tracing the events of the fifteen years following Alexander's death, Funeral Games sees his mighty empire disintegrate, and brings Mary Renault's Alexander trilogy to a dramatic close.

In The Last of the Wine , two young Athenians, Alexias and Lysis, compete in the palaestra, journey to the Olympic games, fight in the wars against Sparta, and study under Socrates. As their relationship develops, Renault expertly conveys Greek culture, showing the impact of this supreme philosopher whose influence spans epochs.

In the first novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.

"The Bull from the Sea" is the story of Theseus, King of Athens, but also Mary Renault's brilliant historical reconstruction of ancient Greek politics. Throughout his reign, Theseus is torn between his genius for kingship and his truant craving for adventure. As Theseus for a dynastic marriage with Phaedra, Pirithoos, the pirate prince, lures him off to explore the unknown Euxine, where he meets and captures the young warrior priestess Hippolyta. She is the love of his life, and that love is the crux of his fate. The bull of Marathon, the battle of the Lapiths and Kentaurs, and the moon-goddess cult of Pontos are merely a portion of the legendary material that Renault weaves into the fabric of great historical fiction. Whether or not these myths have their far-distant origin in actual events, the author's imagination and scholarship have invested them with immediate amd magical reality.

Set in fourth-century B.C. Greece, THE MASK OF APOLLO is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.