Hartmut Böhme’s study of fetishism spans all the way from Christian image magic in the Middle Ages to fetishistic practices in fashion, advertising, sport and popular culture today. In it he provides a thorough exploration of religion, magic, idolatry, sexuality and consumption, charting the mental, scientific and artistic processes through which fetishism became a central category in European culture’s account of itself.
Fabrics and patterns in art—from the simple repeat to the large-format all-over Reference volume on the topic of textile art
Modern art used to be primarily equated with acceleration, from William Turner to Futurism, from the abstract and the kinetic to media-generated art. On the other hand, little attention is paid to the fact that the fascination with speed has always been combined with a search for the aesthetics of deceleration, something that would explore the dynamics of quiet and the depths of existences, starting with the images of yearning produced by the Romantics, to the profound „slow painting“ by artists such as Mark Rothko or Franz Gertsch. This is the first volume to examine this modern dialectic, condensing a theme that hits a societal nerve. Well-known authors, such as sociologist Hartmut Rosa and cultural scientist Hartmut Böhme, discuss the problems of technology- and economy-based acceleration and the increasing need to slow down.(German edition ISBN 978-3-7757-3242-0) Exhibition schedule: Kunstmuseum Wolfsburg, November 12, 2011-April 9, 2012