A captivating selection of family snapshots from his mother's photo albums, Michael Snow’s latest artist’s book illuminates patterns in the passage of time. Over the past half-century, Toronto-based artist Michael Snow has explored perception, consciousness, language, and temporality. This theme is particularly relevant to his latest work, dedicated to his adventurous mother, Marie-Antoinette Françoise Carmen Levesque Snow Roig, whose family photographs provide a narrative throughline. Snow consolidates his mother’s albums, presenting 1,500 images. In a tender foreword, he expresses his desire to share the “[The photographs] are so beautiful and so historic.” While he has previously integrated samples from these albums into his work, this volume offers a larger, unified selection. The compiled images tell a more complete biographical story, which Snow leaves intact on the surface. He adds his interpretation by drawing out patterns within the collection and his mother’s writing. Snow creates an album that is distinctly his own, embracing what art historian Martha Langford describes as a “deep understanding and surrender to form.”
Michael Snow Book order


- 2022
- 2020
Michael Snow: Cover to Cover
- 318 pages
- 12 hours of reading
A long-awaited facsimile of Michael Snow's legendary artist's book, a classic of conceptualism For years an out-of-print rarity, Canadian artist, filmmaker and musician Michael Snow's (born 1928) classic 1975 artist's book Cover to Cover is available once again, in this facsimile edition. Unconstrained by discipline, Snow famously remarked that his sculptures were made by a musician, his films by a painter. Flipping through Cover to Cover, which is composed entirely of photographs in narrative sequence, one might describe it as a book made by a filmmaker. Each individual page features a distinct moment, seen from one perspective on the front, and from a diametrically opposed angle on the back, occasionally pivoting between interior and exterior spaces. Midway through the book, the images are inverted such that the volume must be turned upside-down to be looked at right-side up. The result is an elegant, disorienting study in simultaneity. With this work, wrote Benjamin H.D. Buchloh, "Michael Snow has challenged the reader's/viewer's notion of a book, indeed one's very notion of perception."