This book is a fascinating history of London Bridge, one of the most iconic landmarks in the city's rich architectural heritage. Author Richard Thomson offers a detailed and engaging account of the bridge's construction, destruction, and reconstruction over the centuries, as well as its role in the life of the city and its people. This book is a must-read for anyone interested in the history and architecture of London.
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to which are added, the Great charter in Latin and English; the charters of liberties and confirmations, granted by Henry III. and Edward I.; the original Charter of the forests; and various authentic
Valued by scholars for its literary significance, this book is presented in its original form to maintain its authenticity. The intentional inclusion of marks reflects its historical context, making it a crucial resource for future generations.
The first book to focus on Monet's work through his representation of architecture In an innovative approach, Richard Thomson considers Claude Monet's paintings of buildings in their environment, offering a reappraisal of an artist more often associated with landscapes, seascapes, and gardens. Buildings fulfilled various roles in Monet's canvases; some are chiefly compositional devices while others throw into sharp contrast the forms of man- made construction against the irregularity of nature, or suggest the absent presence of humans. The theme was both central and consistent over five decades of his 60-year career. Written by a renowned expert on Impressionism, this book covers Monet's representations of historical buildings, inner cities, beach resorts, railway bridges and stations, suburban housing, and busy harbors-subjects spanning northern France, the Mediterranean, and the cities of Rouen, London, and Venice. In addition to 75 great paintings by Monet, this thematic, picture-led book includes a wealth of comparative material, such as postcards, posters, original travel photography, and rarely seen aerial photography that sets Monet's work firmly in its historical, cultural, and social framework.
This catalogue is published in conjunction with Seurat's Circus Sideshow, on view at The Metropolitan Museum of Art, New York, from February 17 through May 29, 2017.
A groundbreaking collaboration between the National Galleries of Scotland, the Van Gogh Museum in Amsterdam and the Finnish National Gallery, this catalogue accompanies the first exhibition dedicated to landscapes by the Symbolists, the innovative movement whose artists took a more imaginative and emotional approach to painting.
This illustrated monograph throws new light on the meaning and imagery of Seurat's paintings. The usual account of Seurat lays most stress on technical and formal aspects of his work. While accepting their importance, Richard Thomson seeks to redress the balance by providing a sustained analysis of Seurat's imagery and situating his work within the fluctuating intellectual and social currents of the day. To Seurat the vital subject for contemporary painting was the modern metropolis, and this book examines the critical way in which he depicted and interpreted Paris, its suburbs and its popular entertainment.
