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Yvonne Johnson

    Stolen Life
    The voices of African American women
    Stop Lying On God
    In Love With A Monster: Open to destroy
    • Exploring the complexities of relationships, this debut novel reveals how the pursuit of love can often lead to disillusionment when hidden flaws emerge. It emphasizes the imperfection of individuals and the importance of valuing love, while also addressing the internal struggles that can be just as daunting as external challenges. Ultimately, the narrative underscores the power of self-belief as a means to overcome personal demons and navigate the intricacies of human connection.

      In Love With A Monster: Open to destroy
    • Stop Lying On God

      • 44 pages
      • 2 hours of reading

      Challenging the notion that God is responsible for all events, this book seeks to unveil the true sources of chaos and confusion in life and the world. It encourages readers to reflect on their beliefs and take responsibility for their circumstances. By providing insights and prompting self-examination, the author aims to inspire personal change and a clearer understanding of divine influence, urging readers to stop attributing blame to God for life's difficulties.

      Stop Lying On God
    • "During the last half of the twentieth century, a group of historically neglected but extremely powerful voices has emerged from the African American literary tradition. The voices of African American women have gathered strength from the suppressed tongues of their foremothers to provide insight into the history, psyche, and spirit of the African American woman. Professor Johnson examines the narrative strategies, with particular emphasis on the authorial and narrative voices, of three texts written by African American women: Incidents in the Life of a Slave Girl by Harriet Jacobs, Their Eyes Were Watching God by Zora Neale Hurston, and The Color Purple by Alice Walker."--Jacket

      The voices of African American women