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Ulrich Loock

    Markus Döbeli - Gemälde und Aquarelle, paintings and watercolors
    Alois Lichtsteiner
    Dark Wire
    Words to Be Looked At
    Max Neuhaus
    David Hammons, Blues and the abstract truth
    • 2024

      This cat-and-mouse story of a vast FBI sting operation reveals? how the criminal underworld has become a globalized economy in its own right--one that can't be policed without crossing complicated ethical boundaries.

      Dark Wire
    • 2013
    • 2010

      Words to Be Looked At

      • 344 pages
      • 13 hours of reading

      Langauge has been a primary element in visual art since the 1960s, in the form of printed texts, painted signs, recorded speech, and much more. Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry and experimental music created in and around New York City from 1958 to 1968

      Words to Be Looked At
    • 2009

      Max Neuhaus

      • 139 pages
      • 5 hours of reading

      In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. Known as Times Square, the celebrated installation was restored in 2002. This book takes considers the singular impact this artist has had in establishing sound as a medium in contemporary art.

      Max Neuhaus
    • 2004

      Thomas Schütte

      • 240 pages
      • 9 hours of reading

      Thomas Schütte has frequently cast himself into the role of a maverick – remained remote from the work of his artistic mentors, distanced himself from the statements of each ephemeral Zeitgeist, and increasingly contradicted his own positions – and, in so doing, has become one of the most influential artists of his generation. Shifting from text to image, to object, to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of the tinker and the model-maker, and projects avantgardist ideas onto traditional forms of art. With meticulous rigor Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview are a series of intensive discussions between the author and the artist on the genesis and histories of the single works.

      Thomas Schütte
    • 1997
    • 1997

      Glasgow

      • 95 pages
      • 4 hours of reading
      Glasgow
    • 1995