This cat-and-mouse story of a vast FBI sting operation reveals? how the criminal underworld has become a globalized economy in its own right--one that can't be policed without crossing complicated ethical boundaries.
Ulrich Loock Book order






- 2024
- 2013
Alois Lichtsteiner
nude f/m
- 2012
Markus Döbeli - Gemälde und Aquarelle, paintings and watercolors
- 127 pages
- 5 hours of reading
- 2010
Words to Be Looked At
- 344 pages
- 13 hours of reading
Langauge has been a primary element in visual art since the 1960s, in the form of printed texts, painted signs, recorded speech, and much more. Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry and experimental music created in and around New York City from 1958 to 1968
- 2009
Max Neuhaus
- 139 pages
- 5 hours of reading
In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. Known as Times Square, the celebrated installation was restored in 2002. This book takes considers the singular impact this artist has had in establishing sound as a medium in contemporary art.
- 2004
Thomas Schütte
- 240 pages
- 9 hours of reading
Thomas Schütte has frequently cast himself into the role of a maverick – remained remote from the work of his artistic mentors, distanced himself from the statements of each ephemeral Zeitgeist, and increasingly contradicted his own positions – and, in so doing, has become one of the most influential artists of his generation. Shifting from text to image, to object, to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of the tinker and the model-maker, and projects avantgardist ideas onto traditional forms of art. With meticulous rigor Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview are a series of intensive discussions between the author and the artist on the genesis and histories of the single works.
- 1997
David Hammons, Blues and the abstract truth
- 34 pages
- 2 hours of reading
- 1997
Glasgow
- 95 pages
- 4 hours of reading
- 1995
Michael Asher
- 93 pages
- 4 hours of reading