Marcel Odenbach: Es brennt
Kat. Kunsthalle Nürnberg
It has only just been reported that Marcel Odenbach (*1953) will be awarded the 2021 Wolfgang Hahn Prize. The small and memorable catalog published on the occasion of the current exhibition at Kunsthalle Nuremberg arrives just at the right time to illustrate the reason behind the choice of this award-winner: for quite a number of years now, the Cologne-based artist has been less interested in his own impact, but rather in his surroundings and his contemporaries. With his drawings, collages, videos, and installations, he explores questions of identity in the context of sexual orientation, class, and gender. Odenbach forms works that, owing to their experimental form and theoretical background, focus just as much on historical connections between colonialism and globalization as on the power of the normative and of representation. Since the mid-1970s, Marcel Odenbach has developed his pictorial language in montages and cross-fades of film and television recordings, archive material, as well as his own images and film sequences. Alongside the video works, he has always prepared drawings in the planning of video installations, which also work as independent image-text composition.
