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Julian Beck

    Emilia Galotti II
    Technik und Rentabilität von Tiefenbohrungen zur Wärmeversorgung eines Einfamilienhauses
    Originär strategische Aufgabenstellungen von Project Management Offices (PMO)
    Indirekte Speicherung elektrischer Energie mit Hilfe von Wasserstoff
    How Happy We Were
    Prometheus & The Archaeology of Sleep
    • 2021

      Prometheus & The Archaeology of Sleep

      • 308 pages
      • 11 hours of reading

      Set against the backdrop of summer 1977, the narrative follows The Living Theatre as they transition from touring Europe to creating a new work in Rome. Julian Beck's fascination with the Prometheus myth drives the development of the play, intertwining characters and themes from the Russian Revolution to address contemporary political issues. The production features a unique structure with three acts, culminating in a vigil outside a prison, and after its 1978 debut, it embarks on a year-long tour across various countries and cities.

      Prometheus & The Archaeology of Sleep
    • 2020

      How Happy We Were

      a prison journal

      • 140 pages
      • 5 hours of reading

      In July 1957, Julian Beck and Judith Malina, founders of The Living Theatre, were arrested alongside Dorothy Day while protesting civil defense drills in New York City. Sentenced to thirty days in jail, Beck documented his experiences during his confinement on Hart Island and in The Tombs. This period of reflection prompted him to reevaluate his identity as an artist, ultimately inspiring a lifelong commitment to nonviolent anarchist revolution through his art.

      How Happy We Were