Music in Roman Comedy
- 470 pages
- 17 hours of reading
This book offers a new explanation of how the plays of Plautus and Terence worked as musical theatre.

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This book offers a new explanation of how the plays of Plautus and Terence worked as musical theatre.
An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts.
The dynamic interplay between actors and spectators is a central theme explored by the Roman playwright Plautus. Known for his clever manipulation of this relationship, he encouraged actors to break the fourth wall, engaging the audience with humorous asides and monologues. This approach not only elicited laughter but also created a playful rapport, allowing actors to both flatter and tease the spectators, enhancing the overall theatrical experience.